The Big Thing-Phyllis Korkki

First line: "I've wanted to write a book since I was eleven."

New York Times writer and editor, Phyllis Korkki, has always aspired to write a book. She has a novel in progress, but with The Big Thing: How to Complete Your Creative Project Even if You're a Lazy, Self-Doubting Procrastinator Like Me, she decided to explore the world of creative projects as she completed her own--the book. The Big Thing isn't a self-help book in the traditional sense of self-help works, but it is inspiring and insightful.

Throughout the eleven chapters, she examines a wide range of "big things" from art to charities, even the idea of not having a big thing. And Korkki illustrates how there is no one set recipe for achieving this monumental goal, but there are proven guidelines that may help some to stay focused and motivated...or even know when it's time to set "the big thing" aside for awhile or permanently.

Korkki interviews various specialists and masters in areas such as physical health and mental health to enlighten herself for her end goal and to help the readers further their own. From posture and breathing to dealing with anxiety and depression, maintaining one's health is imperative. She looks at the value of sleep and, while acknowledging that there is a very small percentage of the population that can function normally on very little sleep, the vast majority need regular, structured sleep patterns for optimal health: "Nearly all the functions of the brain and body improve after sleep, and are impaired by a lack of sleep." In other words, the belief, "I'll sleep when I'm dead" only gets you to dead faster, while it impairs your ability to complete your "big thing."

Korkki also delves into the opposite end with illness--both mental and physical--and how it relates to major accomplishments.  Through artist Frida Kahlo, author Laura Hillenbrand and Charles Darwin she looks at various ways successful individuals have worked with and around their illnesses. Korkki even includes a section devoted to addiction.

Fascinatingly, Korkki found that "external rewards often undermine people's intrinsic motivation." And those extrinsic motivations have been growing over the past four decades due in large part to the growing presence of advertising. While they can be powerful, "research shows that when people become more focused on them, the quality of the product declines and they are less happy."

Old and young alike, Korkki finds evidence of The Big Thing in all ages and in all shapes ans sizes. People who go after their big goal while working full time or happen upon it before their teenage years. Plus, it's never too late. She advises:

"No matter who you are and what you do, you probably have at least twenty minutes a day--and probably much more--to work on your project, and that adds up. You need to trust in the power of incrementalism."

Regardless of who you are, if you have aspirations of your own "big thing," you're likely to find valuable ideas and motivations in Phyllis Korkki's journey to her own goal. Written plainly and well-researched, The Big Thing is fascinating, thought-provoking, and eye-opening. I wanted to read this book because I have my own project and within the pages I found not only a lot to chew on (metaphorically speaking of course) but plenty to spark my own drive. She also provides a new perspective on a lot, like the idea of being lazy. It would be hard to finish this book and not feel ready to take on the world...or at least your "big thing."

Korkki advises asking yourself three main questions in relation to your creative goal:

1. Do you have the talent/ability/skills to do this Big Thing, or the motivation to learn and practice them?
2. Do you have the commitment and drive to work on the Big Thing at least somewhat steadily?
3. Is it worth the sacrifice you will have to make, in time and money, to complete it? Maybe something else is more important.

If you have something in your life that you could answer yes to on these questions, The Big Thing may be just want you need.

The Big Thing releases today in hardcover from Harper (ISBN: 9780062384300)and as an unabridged audiobook (ISBN: 9781504735629), narrated by Sandy Rustin, from HarperCollins and Blackstone Audio.

  

   

My review today kicks off the TLC book tour for The Big Thing. Check the schedule to see how other bloggers are reacting to Korkki's insights into your big creative project.

Disclosure: I do some contractual work for one of the owners of TLC Blog Tours. My work with them does not obligate me to a specific kind of review. The reviews are still my own opinions and reflect only my thoughts on the novels. If you care to read more, you can find more information on my Disclosure page.

After Alice - Gregory Maguire

Good gads she's posting today! I'm so, so sorry for my silence of late, friends. I've been a bit swamped with work, some professional development classes, my nephew's baseball season and a big announcement I'll have coming soon. I hope you're all having a great July so far and finding lots of wonderful things to read. Before I post my review today, I just wanted to share a couple links with you. First is the July Nerdy Special List. There's quite a few great books coming out in July; I had a hard time picking my title for this month, but I did finally narrow it down. There may or may not have been a coin flip involved. And secondly, I had my first review accepted by the Christian Science Monitor. That one is for Ben Winters' The Underground Airlines. You can read it here.  O.k. on to today's review...

First line: "Were there a god in charge of story--I mean one cut to Old Testament specifics, some hybrid of Zeus and Father Christmas--such a creature, such a deity, might be looking down upon a day opening in Oxford, England, a bit past the half-way mark of the nineteenth century."

Those familiar with Gregory Maguire's (The Wicked Years series) work will likely not be surprised to hear me say that his stunning gift with words and story-telling made After Alice a delightfully charming, incredibly creative, deeply insightful fantasy that should stand the test of time, just as its inspiration, Alice's Adventures in Wonderland, has.

After Alice is the story of Alice's friend Ada who is headed to see Alice just moments after the spirited young girl falls down the rabbit hole. Ada accidents upon the same gateway to Wonderland and finds herself spiraling down as well. Ada's descent into the wacky world of the Mad Hatter, Cheshire Cat, White Knight (or Night) and Queen of Hearts frees her from the physical disabilities she endured at home, so she sets out on a magical adventure to find Alice.

Meanwhile, back among the boring realities of home, Alice's sister, Lydia, and Ada's governess, Miss Armstrong, are trying to find the missing girls.

Maguire's innate ability to build fantastic plots around the barely mentioned characters of epic fairy tales--plots that compliment and never contradict or alter the original stories--is awe inspiring. But he goes beyond that. In After Alice, the whimsical language echoes Louis Carroll's but still maintains a distinctness to Maguire's style. His playful approach to the world of words transfers to readers a youthful exuberance and giddiness while reading:

Beyond the door, the lawn was shorn and rolled to Pythagorean precision. The clouds were perfect, neither too many nor histrionic. As she watched hungrily, the cumuli began sliding down the side of the world and changing places with the lawn. This proved disconcerting, like a picture in a book turned upside down. Why, there was the Ace of Spaces digging a hole in the lawn-sky, and stuffing Rosa Rugosa root-first into the green-fringed heaven hovering over a blue eternal sky-sea. It was amusing to see the Ace of Spades sprinkle water upward.

Then while he's entertaining his reader with poetic imagery and playfulness, he sneaks in social issues--issues that seem to transcend time, like the glacial slowness of change:

"The law says one thing and custom another," replied Mr. Winter. "What the assemblies legislate and what happens on the back roads of small towns are not always in agreement. Put another way, history takes a long time to happen."

In this instance they're referencing the abolition of slavery in the United States during the Nineteenth Century, but that statement jumps off the page as glaringly true today for things like race, gender and sexual orientation equality.

And Maguire's insights aren't confined to social issues. He taps into human complexities as well:

As for dreams, they are powered by urgent desire, even if that desire is only to escape the quotidian. Ada, who lived with a sense of disappointment and failure, thanks to her misshapen form, suffered from a flat dream-life, one that seemed poorly differentiated from her waking hours. As a stolid child, her dreams were of static things, almost still-lifes: a lump of cheddar on a board, a goat roped to a tinker's cart, a curving road.

This enchanting, fun spin on the classic tale of Alice's wild adventures is as surprising as it is entertaining. There are captivating curiosities with every page turn. So settle yourself in for a fall down the rabbit hole into the marvelous world of Gregory Maguire's Wonderland.

After Alice is now available in trade paperback from William Morrow (ISBN: 9780060859749). You can still get a copy in hardcover (ISBN: 9780060548957) and there's an unabridged audiobook (ISBN: 9780062562272), narrated by Katherine Kellgren, from HarperAudio.

  

   

My review today is part of the TLC book tour for After Alice. Check the schedule to see how other bloggers are reacting to their tumble down the rabbit hole with Ada.

Disclosure: I do some contractual work for one of the owners of TLC Blog Tours. My work with them does not obligate me to a specific kind of review. The reviews are still my own opinions and reflect only my thoughts on the novels. If you care to read more, you can find more information on my Disclosure page.

The Price of Prosperity - Todd G. Buchholz

First line: "I am a little kid in the backyard, swatting mosquitoes off my legs and waiting for Dad to flip a burger onto my paper plate."

Todd Buchholz's  book The Price of Prosperity: Why Rich Nations Fail and How to Renew Them is his argument for why wealthy nations fall. He examines economic, political and cultural realms that he believes contribute to the undoing of these prosperous countries. Buchholtz views birthrates, global trade, debt, work ethic and patriotism (or lack thereof) as the central fissures in the strength of a successful nation.

As much as I was looking forward to reading this book, I was ultimately disappointed. As much time and effort as Buchholz puts into detailing historic empires and their leaders, he fails to address many of the arguments that counter the foundation for his theory.  In an effort to make economics a bit more entertaining, he provides metaphors and examples using current pop culture, but many if not most fall miserably short of actually supporting his arguments.

I was a bit apprehensive when early in the book, during his discussion of decreases in birthrates, he makes a comparison between numbers of children and numbers of pets:

"We have about 75.5 million children in the United States but 90 million cats, 75 million dogs, and 170 million freshwater fish. Together Petsmart and Petco sell $10 billion in pet goods. The largest children's retailer, the Children's Place, earns just $1.8 billion in revenues, pretty much equivalent to what Americans spend on snakes, turtles and lizards."

The impression that is created--and I believe intended--is "wow! Look how much more we spend on our pets than our children." Only he's comparing apples to basketballs. The last time you walked into a Petsmart or a Petco, what could you buy for an animal there? Food, treats, clothes, leashes/crates/etc, bedding, grooming, training, toys....this is, of course, an incomplete list and can cover a pet for its entire life. Children's Place sells clothing and maybe some minor accessories for a limited span of a child's existence. Children require far more time, money and resources to raise than any pet that's legal to own in the United States.

Now in the whole scheme of things, this comparison is pretty unimportant to the book, but the fact that something so banal is full of logic holes puts the reader on alert immediately.

Ultimately Buchholz's point is that the wealthy have fewer children than the poor:

"US families earning over $75,000 per year have fewer than fifty-five babies per thousand women. This is half the birthrate of families earning less than $10,000."

He does go on to say that children are "messy, loud, worrisome, and expensive." But a paragraph later says,

"Yet children have always been messy, loud, and expensive. In 1900 the average white woman in America was ringed by three or four whining, crying, and loving children...So what has changed to explain the declining preference for children? And why is it so widespread?" 

The answer to that question could be a book in itself. And in the United States it's not going to change while college-educated, career-minded women are penalized for having children.

Buchholz then goes on to talk about historical cultures whose downfalls followed wealth and subsequent drops in birthrates. One example he uses highlights a culture that essentially farmed out their military because they didn't have enough citizens to serve in it. And the military was then susceptible to the highest bidder and turned on the country it was supposed to be defending. Legitimate concern. However, in the United States, the wealthy are the least likely to even serve in our military. So if the idea is for the wealthy to have more children, I'm not sure how this example fits into the scheme of his argument.

And the elephant in MY room while reading this section is lack of discussion about the limited resources of the planet. Even in our prosperous United States, we have areas that struggle with viable water sources. We don't want to become one of the nations on Earth that don't have room or food or water for the huge families they are having in order to have strong numbers to defeat their enemies. If we can't take care of our citizens, our enemies are a moot point. Then of course there's also the damage it does to other elements of the planet that we destroy in order to make room for the growing numbers. The planet's population is larger than it's ever been and it's not moving backward despite low birthrates in some countries. At one point, Buchholz seems to be mocking politicians who care about the environment, and he says,

"What a shame if an avalanche of our debt buries our grandchildren so deeply that they have to sell off national treasures to make ends meet."

Granted at this point he's talking about government debt, but this point so oversimplified the issue of the environment and never even touches global warming. It also neglects the point that if we don't do something to counteract things like our abysmal infrastructure and education system--both things that continue to erode because we're worried about this debt--debt isn't going to matter to our future generations because the country won't exist as it is now.

Now Buchholz does proceed and address the value in immigration, but his offered solutions for how to deal with the resistance to immigration fall very short and, quite honestly, left me with a bad taste in my mouth:

"But I would ask this question: if other advanced countries impose six months to an entire year of mandatory service on their own citizens, would it be so terrible to impose some slight inconvenience on immigrants who apply for citizenship, especially an inconvenience that would enhance their knowledge of the country they aspire to join?"

We already impose a test on these people that many natural citizens can't pass. But let's add to the expense of the process, requiring them to travel around the country and not be working so they can have their passports stamped at "historical landmarks, museums, and libraries." And I'm still not sure how that helps our xenophobic culture be more accepting of these people, who are already proving their dedication to the nation.

Buchholz says he would impose a similar requirement for any U.S. citizen who applies for a student loan through a federal program. Again, people in need of money are now put at further disadvantage in order to prove they are worthy. Never mind the towering debt that's burying these young folks already. No mention, however, of big businesses and the wealthy that take advantage of tax breaks and other government funds.

Sadly, I found myself going through the entire book this way. I typically mark up pages with excerpts I love and word choice or phrasing that moves me. In this reading I was marking every passage where I found logic issues or neglect of relevant information.  And I'm not referring to one-off exceptions.

Buchholz refers to the average income of people in the United States. With our current income chasm, the "average" doesn't refer to a lot of households. He says, "The price system and the 'invisible hand' of the market coordinate all of this." No, they don't. That's why we have unions, regulations, child labor laws, etc. And when those regulations have been drawn back, we see that greed knocks the invisible hand right off the invisible wrist.

He refers to the laziness of teenagers and the fact that fewer have summer jobs. But there's no evidence he did any research as to why fewer have summer jobs. Is it possible they are volunteering? participating in various kinds of summer camps? taking care of younger siblings at home? And generations don't simply become lazy on their own. To point the finger at this generation and say they have a bad work ethic is to completely ignore the helicopter parent phenomenon and the role that plays in the child's development. He refers to them not being willing to relocate to a state with lower unemployment rates and not getting driving licenses. However, he neglects to address the costs that keep people from doing things like this. He talks about cars and their affordability. Sure if you come from a well-to-do family, money isn't as big an issue, but Buchholz has already pointed out that the well-to-do are having fewer children. The poor don't have money for additional cars, insurance, license fees, etc. And if you don't have a reliable source of transportation, could that possibly impact your ability to get or hold a job?

There is a section that directs attention to the Labor Participation Rate and Buchholz refers to it as the "proportion of adults who want to work." But he mentions nothing about the growing numbers of people who have taken themselves out of this arena because they've tried to find jobs and have been unsuccessful for so long that they've given up hope, that their time out of the workforce makes employers pass over them automatically. In a nation that puts up so many barriers for those coming out of prisons, a nation that has to petition employers to hire veterans coming back from war, a nation whose sky-rocketing cost of education puts it out of reach for a growing percentage of the population--people who desperately need new skills in order to be marketable, the term "want" is a huge over-generalization. 

While there are legitimate concerns presented in The Price of Prosperity, and I'm glad I read it for a view point that doesn't necessarily align perfectly with my own, it reinforces for me the fact that we're neglecting vital realities that exist in our nation. For Buchholz to make the statement, "When rich nations begin to shatter, everyone has a comfy bed--but fewer people have a reason to get out of it," I know he's neglecting realities and his credibility is, therefore, destroyed. I believe in the United States. I'm not lining up to relinquish my citizenship. But I do not believe The Price of Prosperity holds the answers to the problems that plague us. For that, we'll have to look elsewhere.

The Price of Prosperity is available in hardcover from Harper (ISBN: 9780062405708). It is also available as an unabridged audiobook (ISBN: 9781522690788) from Brilliance, narrated by Buchholz.

  

  

My review today is part of the TLC book tour for The Price of Prosperity. Check the schedule to see how other bloggers are responding to Todd Buchholz's solution to our country's prosperity problems.

Disclosure: I do some contractual work for one of the owners of TLC Blog Tours. My work with them does not obligate me to a specific kind of review. The reviews are still my own opinions and reflect only my thoughts on the novels. If you care to read more, you can find more information on my Disclosure page.

Father's Day - Simon Van Booy

First sentence: "Harvey was born in a redbrick hospital on a hill."

Even though yesterday was Mother's Day, today I'm writing about Simon Van Booy's newest novel, Father's Day. In this heart-warming tale about what defines a father, six-year-old Harvey loses her parents in a car accident and goes to live with her uncle--her father's estranged older brother, Jason. Their story is told through a series of flashbacks during Jason's Father's Day visit to Paris, where an adult Harvey now lives. Harvey has created a Father's Day box for Jason containing a series of symbolic gifts. Each day Jason removes one of the gifts and opens it during their travels around the scenic city. The unveiling of the gifts are interspersed with flashbacks explaining the significance of the gift in relation to Harvey and Jason's relationship. All of the gifts lead up to mysterious revelation Harvey plans to make to her father.

Jason is a ex-con and a recovering alcoholic with an anger management problem when Harvey comes to live with him. He's disabled from a motorcycle accident and supplements his government assistance by selling things on eBay. Harvey's social worker, Wanda, has a gut feeling that despite these problematic characteristics, he's the ideal placement for Harvey. A veteran of the Children's Services Department, she manipulates the system in order to finagle Jason a trial period as Harvey's guardian, and ultimately the adoption is finalized.

The pair never have a lot, but together they possess everything they truly need and make a complete family. As much as Jason teaches Harvey about life, she reciprocates. They save each other.

Van Booy's stark style makes every sentence burst in this beautiful novel about the value of families, whatever form they take. Jason and Harvey's life together mirrors that spartan style. Jason can't give Harvey a lot of material possessions, grand vacations or elaborate experiences, but she treasures everything they have. He regularly sacrifices for her and she understands the value, seeing the beauty and vulnerability beneath Jason's harsh exterior.

Harvey's voice as a child is as authentic and endearing as Jason's frustrated, adult perspective is empathetic. Van Booy drives home the importance of redemption, even in those society would consider beyond it. Sometimes we need to see those people through the eyes of a child, someone who hasn't learned biases, judgements and most importantly how to hold grudges. 

Early in the novel, when Jason is remembering his younger brother--Harvey's first father--Van Booy says, "He considered how memories hold our lives in place but weigh nothing and cannot be seen or touched." The memories in this charming novel hold the lives of Jason and Harvey in place and they hold the readers captive. Harvey's surprise for Jason at the novel's conclusion may not be a surprise for all readers, but it doesn't diminish the powerful theme behind the novel: a father isn't defined by DNA and dad's don't have to be perfect. The best ones are simply present, making those memories with their children.

Father's Day is available from Harper in hardcover (ISBN: 9780062408945) It's also available as an unabridged audiobook download, narrated by Bronson Pinchot, from Harper Audio.

  

   

My review today is part of the TLC book tour for Father's Day. Check the schedule to see what other bloggers are saying about Simon Van Booy's newest novel.

Disclosure: I do some contractual work for one of the owners of TLC Blog Tours. My work with them does not obligate me to a specific kind of review. The reviews are still my own opinions and reflect only my thoughts on the novels. If you care to read more, you can find more information on my Disclosure page.

The Opposite of Everyone - Joshilyn Jackson

First line: "I was born blue."

Life hardened Paula Vauss and that makes her a great divorce attorney. It doesn't help, however, with interpersonal relationships. As a child, Paula's mother, Kai, carted her from town to town, boyfriend to boyfriend, telling her magical tales of mythology and folklore. Until a drug bust landed Kai in jail and Paula in a group home. Neither would ever be the same again.

Now it's been fifteen years since Paula last saw her mother. She's settled into her bachelor lifestyle in Atlanta but continues to send her mother a check every month. Payment for a debt she believes she owes Kai. And Kai cashes the check every month, until the last check. She returns it to Paula with a cryptic note. Not long after a young man shows up at her practice claiming to be her brother. Paula's safe, insulated life begins to go into a tailspin and soon she finds herself on the hunt for her estranged mother.

I went from Joshilyn Jackson newbie to devoted fan in approximately 300 pages. The Opposite of Everything is a delightfully dark tale of families and story and redemption and change and many other delectably rich facets of real life. Jackson's humor and charm compliment the painful verisimilitude Paula's world has to offer.

Jackson's characters drive the novel with their larger than life spirits and personalities. Paula carries so much baggage, she's regularly paying the over-weight charges on her life flights. She describers her life like this:

"My story is a Frankenstein's monster made of stolen parts, many too small to be sourced, the original morals melded or cut away entirely."

And that highlights one of the major themes of the novel, which is how story shapes a person's life. Then what happens when that story turns out to be very different from what you first perceived it to be?

Paula's trusted P.I. pal, Zachary Birdwine, totes his fair share of baggage as well. But he also provides a stabilizing element to Paula's existence. His compassion and fortitude make him a hero worth cheering for, even if he does have his weaknesses and personal demons.

But the central characters aren't they only stars on this stage. Many of the minor supporting characters are as fascinating and engaging as Paula. Oakleigh Winkley is what Paula terms a BANK divorce client--"both assholes, no kids." Oakleigh is attitude personified, and she's viciously smart to boot.

The children of Paula's group home are heart-breakingly authentic with coping mechanisms of every shape and color. I was especially captivated by Candace, a conniving young girl who really just wants to be loved. As part of this blog tour, the hosts held a conference call with Joshilyn Jackson and had the chance to ask her some questions. My question dealt with Candace, and this is what Joshilyn had to say about her:

"Candace is a creature that I understand. They use to say you had 'flight' or 'fight' reflexes. Now they say it's 'flight,' 'fight' or 'freeze." Candace is probably a 'freezer' and I'm probably a 'freezer.' I had a different life from Candace, but I see how you end up going down that path. I think I'm not done with Candace. I don't think Candace is done with Paula. Paula would like to be done with Candace." 

I'll share a little more from our conference call at the end of this review.

Part of what makes Jackson's characters so outstanding is her strong gift for dialogue and the wonderful Southern flavor to the language. The flow of conversation is natural, often humorous and always faithful to the character.

The Opposite of Everyone will ring true for anyone who's ever felt on the outside. And even if you were always part of the "in" crowd, you'll find much to appreciate in this novel packed with love and loss, hope and despair, devotion and betrayal. It's charming and witty and slightly unnerving. It's what good reading is all about.

The Opposite of Everyone is available in hardcover (ISBN: 9780062105684) from William Morrow and as an unabridged audio (ISBN: 9781504695558), narrated by Joshilyn Jackson, from Harper and Blackstone Audio.

  

   

As promised, I wanted to share a little more of the conference call we had with Joshilyn Jackson. I was especially moved by a response she gave to a question about readers finding things in her books that she didn't intend to be there. Here's what she had to say:

"No one on this planet is going to read the book I wrote and that's good. The book I wrote was a conversation I had with a story that to me was about the mechanics of forgiveness and with how narrative and story has the power to shape us--both cultural narrative and personal narrative. And that's the conversation I was having, but there's all this other stuff in there. And when the book is published, this really neat thing happens. What happens is I have to shut up and I don't get to have the conversation anymore. And all over the country hundreds of thousands of conversations will happen between my book and a reader, and every one of those conversations will be absolutely as valid as the conversation I had with the book; and some of them will hate the book and some of them will love the book and some of them will be enraged by the book and some of them will be validated and delighted by the book and I won't have anything to do with it. The book will bring half the conversation and the reader will bring the other half. I will have absolutely no control over it.

The first book when that happened it was so terrifying and horrifying, I think that's why so many people have trouble with the second book and why so many people publish one book and then stop. You have to come to a point where you think it's kind of beautiful that your book, separate from you and completely outside of your influence, is having conversations with human beings."

I had a wonderful conversation with this book. If you pick it up, I hope you'll let me know how your conversation goes. If you're interested, you can watch the entire call and see what else Joshilyn had to share:



My review today is part of the TLC book tour for The Opposite of Everything. Check the schedule to see what other bloggers are saying about Joshilyn Jackson's eighth novel, meanwhile I'll be checking out her earlier books.

Disclosure: I do some contractual work for one of the owners of TLC Blog Tours. My work with them does not obligate me to a specific kind of review. The reviews are still my own opinions and reflect only my thoughts on the novels. If you care to read more, you can find more information on my Disclosure page.

All the Stars in the Heavens - Adriana Trigiani

First line: "A cold gust of wind sounded like a faraway train whistle as it blew through South Bend that morning."

Based on the true story of Gretchen "Loretta" Young and Clark Gable, Adriana Trigiani tells a fictionalized account of their brief love affair in her novel All the Stars in the Heavens. Gretchen was a child actor turned leading lady in the golden age of Hollywood. Following a heartbreaking and chaste relationship with Spencer Tracey during their filming of Man's Castle, Loretta Young is cast opposite Clark Gable in The Call of the Wild.

Alda Ducci is a young Italian woman who fully intended to become a nun. She was working in a Catholic facility for unwed mothers as a novice, just before she would have taken her vows. It was at this point that her Mother Superior decided the convent was not where Alda belong, and she recommended Alda for the job of Loretta Young's secretary.

All the Stars in the Heavens tells Alda's story alongside Loretta's in epic strokes of art befitting the glamorous world of Tinseltown.

Shooting on location on Mount Baker, a snowstorm stalls the filming of The Call of the Wild and keeps the movie cast and crew stranded on the freezing set much longer than anticipated.  Isolated from all the fanfare of Hollywood in this frigid world, both Alda and Loretta's worlds will be forever changed. Both women return to the realities of California as different people than when they ascended the mountain.

All the Stars in Heaven has a bit of a slow start, but as Trigiani builds up the characters and the world of Hollywood, it soon becomes engrossing and captivating. She builds the atmosphere with the detail of a set artist, whether it's a sound stage in Hollywood or an open air market in Italy. And the perspective is vividly connected to the character seeing it. Alda views her world markedly different than Loretta, despite their being in the same places.

The book also makes the film super stars accessible, human, contrasting the gossip and celebrity news images of them. This works to make them empathetic characters, ones readers can relate to instead of look up to.

This is a fascinating story to tell in 2015 as there will be readers who remember these Hollywood idols very well, some who have a small inkling of who they were and others who unbelievably will be able to say--in all seriousness--"Clark who?" Those different experiences will make reading All the Stars in Heaven vary drastically between the groups. As one who fits in the middle category, I was drawn in and desperate to learn more. These down-to-earth, emotion-filled versions of glittery names are far more interesting than the gossip rags could ever conjure.

All the Stars in Heaven is available in hardcover (ISBN: 9780062319197) from Harper and as an unabridged audio (ISBN: 9780062419910) , narrated by Blair Brown, from HarperAudio

   

   

My review today is part of the TLC book tour for All the Stars in the Heavens. Check the schedule to see what other bloggers are saying about this divine account of Tinseltown's stars.

Disclosure: I do some contractual work for one of the owners of TLC Blog Tours. My work with them does not obligate me to a specific kind of review. The reviews are still my own opinions and reflect only my thoughts on the novels. If you care to read more, you can find more information on my Disclosure page.