Showing posts with label Robert Greer. Show all posts
Showing posts with label Robert Greer. Show all posts

Monday, December 31, 2012

My Favorite Reads of 2012!

Here it is, the last day of 2012 and I have for you my list of favorite reads for this year. This was an odd year for me reading-wise. I read some spectacular books, discovered some great new-to-me authors and on the flip side, I think I put down more books than in past years because I just didn't connect with them at all. And while this isn't unusual, I did have distinctly different reactions to a number of books that were quite popular with other readers. I can be weird like that!

To give you an idea of what I started with, out of my 90 reads this year, I first removed the books that are January 2013 publications (I had 6 -- I've never had that many read ahead before), and I then highlighted the books that I felt were contenders this year: 18 books, plus 3 debuts I'll mention at the end. From that I winnowed it down to the list you see below. It was hard as all 18 were fabulous reads, books I've recommended to others and more than worth the time and money invested in them. I'd say I was a pretty lucky reader this year! So I ended up cheating a tad bit. I removed 3 more titles...I'll mention at the end...that weren't classified crime fiction novels. And I combined two titles that were by the same author. Hopefully, you'll forgive me my little cheats. :-)

But enough blather, let's get to the fun part. And don't forget to leave your favorites in the comments.



10.  Astride a Pink Horse - This was the first time I had read Robert Greer, and Astride a Pink Horse is, hopefully, the start to a new series for him. The plot was complex, the characters were dimensional, the themes were strong and thought-provoking. If this is the start to a new series, it's one I'll want to follow.



9. Jack 1939 - Again, this was the first time I had read Francine Mathews, but reading Jack has made me want to pick up all of her back list. This book was so smart and fascinating; it was one of those historical fiction novels that had me running to Google regularly to see what was fact and what was fiction.


8. The Prophet - Michael Koryta returned to a straight crime novel this year and it was a beaut! The rich symbolism throughout the novel elevated it beyond a simple crime story. Throughout his writing career he's continued to improve his character development, which is astounding given that he was exceptional at character development since book one. The Prophet is full of contrasting characters, defying stereotypes and endearing readers.



7.  Gone Girl - This was one time I didn't differ with the masses of readers who loved this book. Gillian Flynn wrote an incredible novel. She defied the likable, empathetic character notion and kept her readers hanging on with a smart, unpredictable plot. Flynn's pushing the boundaries of crime fiction and coming up with an amazing result.



6. Taken - Robert Crais continues to keep the Elvis Cole/Joe Pike series fresh with powerful themes and engrossing plots. And unlike a lot of series characters, we continue to learn about Cole and Pike with every book. Taken hits you deep down in the soul.



5. Whiplash River/Gutshot Straight -  Once again I'll apologize for my endless talk about Lou Berney's Shake Bouchon crime capers, but good golly am I glad I found them. They are just fun books. And while Shake is not your pristine hero-type character, you can't help but adore him. I love the constant action of these books; the settings are spectacular; and the dialogue is first class. In my humble opinion, if you want to know how to do a crime caper right, you study these books cover to cover!



4. The Trinity Game - Holy Cow. Sorry, no pun intended on this one. We waited patiently for the return of Sean Chercover and boy did he deliver. This is just a powerfully written, complex story with unique characters. It was also a pretty gutsy book to write. The themes are very touchy for many American readers, but I think Chercover handled it all with grace and elegance. I cannot wait for the next book!



3. The Cut - While I didn't end up reviewing this one, I listened to it back in January on audio (it was an August 2011 release); time factors prevented me from reviewing it at a time that would allow me to do the book justice. And it deserved justice. It is a flat out amazing start to a new series character for George Pelecanos. All the elements that make Pelecanos great are present: the gray characters, the dark atmosphere, the suspenseful pace, the beautiful prose. How the man juggles as much as he does--and still does it all at a level of superiority most of us can never begin to fathom--is beyond me. I'm constantly in awe of his work.

2.  Live by Night - Gosh I always look forward to Dennis Lehane's work. It's simply amazing. His writing is poetic, his characters are relateable and larger-than-life at the same time, the plots keep you glued to the book then devastated when you've turned the last page. The atmosphere of Live by Night was the strongest I think Lehane's created. Taking him out of Boston did nothing to shake this man's talent. This is definitely a book I see standing the test of time.




1. The Survivor - When a story haunts me as much as The Survivor did, I know it's an exceptional book. Some characters just seem to take up residence in my soul after I've finished reading. They hang around with me and we have discussions in my mind about the story. Please don't call in the psych doctors, I'd be devastated if anyone ever took this silent pleasure away. Most of us will never have to deal with psychotic bank robbers threatening our families, but symbolically, this is the story of life's true super heroes; it's the story of how people react and adapt to life's sick sense of humor. It made me laugh, it made me cry and it made me tell everyone they need to read it. How Gregg Hurwitz continues to top himself book after book is inspiring. He'll have a hard time topping two stellar books in a row, but I wouldn't put it past him.

So, there is my list that I hemmed an hawed over. But indeed I think it's the most accurate reflection of my favorite reads this year. That being said, I have to give recognition to three books that you won't find in the crime fiction aisle of the bookstore. These three are books that I removed because they were strong contenders with the ten above and I wasn't sure how to integrate them:

Memoirs of an Imaginary Friend (Matthew Dicks)
The Round House (Louise Erdrich)
On the Outside Looking Indian (Rupinder Gill) - this one actually a non-fiction

The two fiction books revolve around a crime element, but the powers that be in marketing have labeled them as literary fiction or general fiction, I guess. And On the Outside Looking Indian is probably the most unique for me because it's a memoir. I'm not much of a memoir reader, so I think that says a lot about the book!

And then I wanted to give kudos to three debut novels I read this year that were just outstanding and I see these authors doing amazing things (one already is since I read her debut late):

Bloodman (Robert Pobi)
Playing Dead (Julia Heaberlin)
The Things That Keep Us Here (Carla Buckley)

If you did not read my review of Carla Buckley's sophomore novel, Invisible, in Shelf Awareness this month, you'll have a chance to do so this week on the blog. Her debut was a great indicator of amazing things to come!

So, that's it for me for 2012. Next month I'll celebrate five years blogging here at Jen's Book Thoughts. It doesn't seem possible, but it's been so much fun talking books with all of you over the years.  Thanks for joining in the fun. Here's hoping 2013 is full of more book wonderfulness for us all.

Happy Reading and Happy New Year, all!

Tuesday, March 27, 2012

ASTRIDE A PINK HORSE - Robert Greer

First line: "If Lyle Sudderman had been paying attention to his surroundings instead of twisting his grease-stained U.S. Postal Service letter carrier's cap nervously from side to side on his head and muttering obscenities to himself, he might have realized sooner that the brown lump lying between a knot of sagebrush and a smaller boulder just inside a sagging cyclone fence fifty yards away wasn't a dead steer or a mule deer that had somehow nosed its way onto the fenced-off patch of government land."

Elgin Coseia, a.k.a. Cozy, is a journalist for his best friend's online news site. He's also the first reporter on the scene when a dead, naked man is found hanging upside down in a deactivated missile silo. Major Bernadette Cameron is the air force officer investigating the breach of security that enabled someone to not only leave a dead man on the Air Force compound but open the hatch to the missile silo as well. Starting out on opposite sides of the investigation, Cozy and Bernadette soon realize that two heads are better than one in their search for answers - especially when that search takes them through an entanglement of suspects and motives.

The cast of ASTRIDE A PINK HORSE is even more colorful than the book's title. A former peace activist with her common law, ex-motorcycle gang member husband. An elderly Japanese woman who lived in the American internment camps of World War II with her genius, math professor cousin. A cattle rancher; a former serviceman and his entrepreneurial, Notre Dame-loving son; even a wealthy, oil man's son who simply follows his whims through life. They all converge and find themselves tied together by Thurmond Giles, the murdered Air Force veteran. Robert Greer's network of connections resembles that of a spider web: loose and brilliant, yet surprisingly deadly. Half the fun of the novel is acquainting yourself with these casting gems.

The other half the fun comes in the form of following the exploits of all the characters. While the cast is full and each is off in his/her own direction, the plot is not difficult to follow. Instead, the challenge is not to get led astray, like I did. I was convinced the guilty party was a completely different character, and quite honestly, these days, it's a challenge to snooker me that much. I found myself in one of those labyrinthine dead ends and it was wonderful.

Greer's dialogue is sharp and natural, at times very witty. He brings in social issues to enhance the storyline without using them as a soapbox or beating his reader over the head with them. The subtle integration  of these issues leaves the reader contemplating them long after the last page, instead of trying to escape them.

ASTRIDE A PINK HORSE made me chuckle when I first read the title. But having experienced this PINK HORSE I know undoubtedly this title will stay with me forever. ASTRIDE A PINK HORSE is simultaneously fun and thought-provoking, entertaining and heart-breaking. While there were some elements of the plot that I wondered if they could be tighter, it also strikes me that Greer may very well be leaving himself room to continue with these characters down the line, and that would be a very good thing.

ASTRIDE A PINK HORSE is available today in hardcover (ISBN: 9781583943694) from North Atlantic Books.

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