Showing posts with label Sue Grafton. Show all posts
Showing posts with label Sue Grafton. Show all posts

Monday, April 14, 2014

Left Coast Crime (A Little Tardy)

I sincerely apologize for my tardiness in getting this post written for you. Left Coast Crime was such a wonderful time this year (except for transportation back to the airport, but we'll not go there--I might cry). I think I said this last year, but in case you weren't around then or I am mistaken, this is such a great conference and if you enjoy mystery and crime fiction, you need to attend at least once. It's the perfect size, the programming is wonderful, you have great opportunities to interact with others. It is really a gem in the crime fiction world. I hear say that Hawaii is the destination in a few years. I might be starting to save up for that one! Anyway...let's talk about Monterey.

If you follow the Facebook page, you may have already seen the video of Toastmaster Brad Parks introducing Guest of Honor Sue Grafton for her interview. For those who did not see it, I give you, "Keep Away from Alphabet Sue":



Throughout the course of the interview Sue Grafton shared many fun stories. She was animated and engaged. She talked about her frustrations writing in Hollywood--and not selling the rights to Kinsey Milhone, the books that came before A is for Alibi, the trouble she's having with her present novel (X), and the great support she gets from her publisher. She spoke about "Shadow" and the "death cookie" and how she knows someone is the child of an alcoholic. Sue wowed the crowd and Brad did a stellar job giving her the platform to do so. An exceptional interview indeed!

Brad didn't get much of a break on that Thursday as he had to turn around and MC opening night. Here he put on his liturgical robes and led the convention in the crime fiction reader's prayer.  You can see the prayer in its entirety here and pray it yourself tonight.

As always, opening night was a nice chance to mingle and chat. A very special treat this year was getting to meet my online friend Sarah RH.  I've made some of the best friendships online but getting to meet the people in person is always the ultimate treat.

In an effort to keep from writing a mile long blog post, I won't detail all the panels I attended. It's kind of late for that and I'm sure you'd get bored anyway. So I'm going to give you a Top 10 list of things I took away from Left Coast Crime panels:

10.  There's now a frozen yogurt shop in Buffalo, Wyoming called THE COLD DISH. I want to visit it!



9. Tim Hallinan was motivated to be a writer after he wrote his teacher a love poem.

8. There is a humor ghetto in crime fiction. Did you know that? I love humor in my books...topic for another blog post later, so tune in again on that topic.



7.  Lou Berney used Trip Advisor as a weapon in his novel Whiplash River. A lot of readers like to use Goodreads or Amazon that way, don't they? Wielding the powerful review!

6. Tim Hallinan, David Morrell and Sophie Littlefield all agreed that bad sex writing is worse than any other bad writing. Amen to that!

5. Lisa Brackmann, in a discussion on gender in crime fiction, said PTSD is PTSD regardless of gender. The difference comes in the additional obstacles women have to overcome in the military.


4. In a screenwriting panel, I learned there's a saying in Hollywood: "It's the only place on Earth you can die of encouragement."

3. Kent Krueger said he never understood winter until he moved to Minnesota--through his books, he wanted to help anyone anywhere understand that winter. (I'm sure that's especially true after this winter, right?)


2. One of Marcia Clark's goals in writing the Rachel Knight series is to depict the reality of female relationships.

1. And the top item goes to Kent Krueger who gave kudos to mystery readers saying they love to do a lot of the work in the reading process. So the writers only have to provide them a snippet and they take it from there.

A special award must be noted for Johnny Shaw. He made Brad Parks swear in front of his mother during their panel.


As a teacher I assured my students there is no such thing as a stupid question. As a panel attendee, I've learned how very untrue that really is. *sigh*

The programming was truly outstanding at this convention and I enjoyed every panel I attended, as well as the panel I moderated. We had standing room only--wow! So thanks to everyone who attended and to the great panelists with me: Janet Rudolph, Maddee James, August McLaughlin and Chantelle Osman. We had a great time talking about social media, but we could have talked MUCH longer.



The panels are always fun and I always take away interesting tidbits from them, but the true gems of these conventions come in the most unexpected encounters. I loved talking with Johnny Shaw and Erica Ruth before the awards banquet. I had the opportunity to meet several spouses--and parents--at this conference. So nice to meet people I hear about but haven't ever seen. I got to talk about dogs--and Harry Connick, Jr.!--with Lou Berney. Having dinner with Sophie Littlefield, Juliet Blackwell, Gigi Pandian and Maddee James was another highlight. I didn't have near enough time with my dear friend Lesa Holstine, but even if I had spent every minute with her, it wouldn't have been enough time. :-)

So, when you make your plans for your next convention, attend the panels--they're definitely great fun. But make sure you snatch up your own little gems as well!

Happy Reading, my friends!

Tuesday, January 8, 2013

Kinsey and Me - Sue Grafton

First line: (From the first short story "Between the Sheets") "I squinted at the woman sitting across the desk from me."

KINSEY AND ME is a collection of short fiction with a few additional non-fiction/commentary articles from Sue Grafton. The first section of the book is comprised of Kinsey Millhone short stories. These have a very Sherlock Holmesian style to them. A mystery is presented and Kinsey does some investigating and begins to formulate an idea of "whodunnit." Then she reveals the culprit and the clues that led to her conclusion.

In "Between the Sheets" a woman finds her lover dead in her young daughters bed, shot to death. (The young daughter is off with her father for visitation, don't worry, nothing hinky on that front!) Instead of going to the police, the woman visits Kinsey. When Kinsey returns to the scene of the crime, the body is gone along with the evidence. She has to figure out not only whodunnit but who-movedit and where.

"Long Gone" is the second Kinsey short and in this case, Kinsey is hired to find out what happened to a man's wife. He's home with their young boys and there's no sign of the wife. When Kinsey visits her place of employment, she learns the wife made off with about $500,000 from her company. So Kinsey sets out to find exactly where the mother/wife is.

"The Parker Shotgun" finds Kinsey investigating the death of a reformed-drug-dealing-soon-to-father. The man's wife feels the cops have written the homicide off as a drug deal gone wrong and she wants his name cleared before their baby is born. He was killed with an expensive shotgun that had been given to him as a payment for drugs, and the gun is now nowhere to be found.

The fourth short featuring Kinsey is called "Non Sung Smoke." A young woman comes to Kinsey for help finding a guy she hooked up with the night before. Kinsey quickly finds the man, informs the young woman and the next day the man is on the front page of the newspaper. Dead.

A book club features into "Falling Off the Roof." When a man hires Kinsey to find out the truth about his brother's "accidental death" (he fell off the roof of his house), Kinsey winds up invited to the dead man's wife's book club, hoping to find the answer to more than the mystery in the book they are reading.

Shirese "Sis" Dunaway hires Kinsey in "A Poison That Leaves No Trace." Sis has just discovered that her estranged sister died. No one informed her that the sister was sick, and Sis thinks there's something fishy going on with her niece and the death of her sister.

"Full Circle" starts off with Kinsey witnessing a significant car accident that results in the death of a young girl. The girl's mother wants Kinsey to investigate after it's discovered that the girl died of a gunshot wound.

"A Little Missionary Work" was my favorite of the Kinsey shorts. She's hired by a famous actress when her actor husband is kidnapped. The kidnapping bears a striking resemblance to another recent kidnapping that ended in a man's murder.

The "Kinsey" section of the book ends with the short story "The Lying Game." While doing surveillance on a couple of brothers who were recently released from a murder charge on a technicality, Kinsey is discovered. To get herself out of the mess, she has to play the "lying game."

The Kinsey shorts echo other mystery plots that have played out through the ages. The content is not especially unique or special, but Kinsey fans will likely find this a satisfying fix while they wait for the next full-length adventure with the 32-year-old, female private investigator. (Kinsey impresses her age on the reader in each short. I found this rather amusing.)

The real gem of this book, however, comes in the end. First the Kinsey shorts are followed by a wonderful commentary from Grafton called "An Eye for an I: Justice, Morality, the Nature of the Hard-boiled Private Investigator,  and All that Existential Stuff." She discusses the evolution of the PI in crime fiction. This short piece is a must-read for all crime fiction fans.

The finale of the book is a series of short stories featuring an autobiographical character named Kit Blue. In an introduction to the section, Grafton says, "Kinsey Millhone is the person I might have been had I not married young and had children." She goes on to say, "If Kinsey Millhone is my alter ego, Kit Blue is simply a younger version of me." The stories featuring Kit are a glimpse of the life Grafton experienced growing up with alcoholic parents. This section of the book is raw, real and revealing. Sue Grafton swallows two jiggers of courage and lets the world in on her personal experience. You can't help but be moved.

KINSEY AND ME is available today in hardcover (ISBN: 9780399163838) from Putnam. There is also an unabridged audiobook version (ISBN: 9781611761573) from Penguin Audio narrated by Judy Kaye.

Friday, November 18, 2011

V is for Vengeance - Sue Grafton

This review appeared in Tuesday's Shelf Awareness for Readers and is appearing now with permission from the folks at Shelf Awareness.

First line: "Phillip Lanahan drove to Vegas in his 1985 Porsche 911 Carrera Cabriolet, a snappy little red car his parents had given him two months before, when he graduated from Princeton."


In her twenty-second outing with P.I. Kinsey Milhone, Sue Grafton brings back all the quirky, loveable characteristics of her protagonist while ramping up the intensity of Kinsey’s experiences.

There are few authors who can open a novel with a gruesome murder and flawlessly transition to her heroine shopping for underwear without losing credibility, but that’s precisely the way Grafton begins V is for Vengeance. And in Kinsey’s world, even shopping for underwear can’t be easy. She observes a woman shoplifting and notifies the store employee. When the shoplifter is arrested and then apparently commits suicide, Kinsey finds herself investigating the woman’s death on behalf of her fiancé. As hidden details of the woman’s life are uncovered, Kinsey comes face-to-face with her own mortality and discovers her work on this investigation may very well be a threat to her own life.

Grafton’s Alphabet Series is a rare series that continues to show momentum after more than 20 books. V is for Vengeance is entertaining, while still making your heart race with a thriller’s anticipation. Kinsey Milhone remains a unique protagonist in the P.I. genre, while Grafton continues to surround her with dimensional supporting characters and antagonists. Readers can’t help but invest in the entire cast, turning pages swiftly to reveal their fates.

Grafton most assuredly still has her stride. Series fans won’t be disappointed and newcomers can pick up V without any knowledge of the previous 21 books. Another winner for the matriarch of the P.I. novel.

V is for Vengeance is available from Marian Wood Book/Putnam in hardcover (ISBN: 978-0399157868) and on unabridged audio (ASIN: B0067EYTDM) from Random House Audio, narrated by Judy Kaye.

Thursday, September 29, 2011

Q is for Quarry - Sue Grafton

As many of you may know, Sue Grafton's new book V is for Vengeance is coming out November 14th. The nice folks at Putnam asked if I would participate in their fun blog tour for this release, and I agreed. Lesa Holstine and I were asked to kick it off this week with reviews for Q is for Quarry. You can see Lesa's review here. As for mine, well here we go...

First line: "It was Wednesday, the second week in April, and Santa Teresa was making a wanton display of herself."

Southern California PI, Kinsey Milhone, is gearing up for her 37th birthday when a cold case lands on her doorstep. Well, actually Lieutenant Con Dolan lands on her doorstep. His good friend Stacey Oliphant, a retired sheriff's department officer, has cancer and Dolan wants to help his frame of mind. So when he runs across the file for a cold case, a case where Dolan and Oliphant actually found the victim, he approaches Kinsey to help them finally solve the murder of Jane Doe, stabbed to death and dumped in a quarry.

I have to read Kinsey Milhone novels in moderation. While reading them, I have strange cravings for fast food. Of course series devotees know that Kinsey is a bit of a fast food junkie, and in this outing she introduces Stacey Oliphant to the world of fast food. The two of them do a fast food joint tour throughout Q is for Quarry. And Stacey's over zealousness for the cuisine manages to make Kinsey crave healthy food! It's this lightness to Grafton's novels that makes them fun and entertaining. It brings her characters down to earth and makes us all feel a bit better about ourselves.

She blends the lightness of her protagonist with the heaviness of the cold case. That heft instills a sense of empathy in her characters. The need to identify a woman who was murdered 18 years earlier, to bring closure to her family, possibly justice to the victim, that's what we crave in our crime novels. The added element of Dolan and Oliphant's friendship and Dolan's need to help his friend in what may be his final days enhances that empathy.

At book 17 in the Alphabet series, Grafton is still doing a masterful job of balancing the blithe with the harrowing to produce an entertaining crime novel.

Q is for Quarry was originally published as a hardcover (ISBN: 978-0399149153) in 2002 by Putnam. It is available in trade paper (ISBN: 978-0425239001) from Berkley Trade, mass market paper (ISBN: 978-0425192726) from Berkley and on audio, narrated by Judy Kaye. For my audiobook readers, Kaye does a great job with this narration. It is available from Audible or your libraries may have the older version from Books on Tape. 

You can find Sue Grafton at her website or her Facebook Fan Page. And you can find the next stop on this blog tour here on Tuesday, October 4th.

As an added bonus, I get to offer you the second sneak peek of V is for Vengeance. Lesa offered the first snippet, so if you missed hers be sure to back up and read that one first. Then click here to continue. If you comment on all ten blogs for the blog tour, you'll be eligible to win one of three sets of books that include: Q, R, S, T, U in paperback and a copy of the new one, V is for Vengeance. So, to help you on that task, I'll give you a question to respond to..."If you could go out to dinner with Kinsey Milhone, where would you like to go?"

Wednesday, December 2, 2009

You Have the Right to Six Words - The Penultimate Post

Well just because we're getting down to the final two weeks doesn't mean we can skimp on the quality of the posts! We have a whopper of a line-up today. Since it's so close to the holidays now, I am linking the authors' book titles to independent bookstores. As always, I don't receive anything for the links, I just wanted to help make finding the books as easy as possible for you.

But, hey, let's get to memoirs, shall we?

The first author on our list of memoirists this week has made a huge impact on the crime fiction genre. You simply can’t say crime fiction without including Sue Grafton in the list of influential greats. She, of course, writes the internationally best-selling Alphabet series that began in 1982 with A IS FOR ALIBI. Sue’s writing career started long before this novel, however. She spent fifteen years writing screenplays for television, including collaborating with her husband Steven Humphrey to adapt the Agatha Christie novels A Caribbean Mystery and Sparkling Cyanide for television. But ultimately Sue would return to her first love, fiction writing.

It was her fascination with related titles like John D. MacDonald’s color titles and Harry Kemelman’s days of the week that led Sue to the idea for the Alphabet series. And just yesterday she released U IS FOR UNDERTOW. I think she happened on a pretty swell idea, don’t you? As “Z” looms closer and closer, fans wonder what will come next because they certainly don’t want Z to be the end. The second and third books, B IS FOR BURGLAR and C IS FOR CORPSE, earned Sue the first and second EVER Anthony Awards. She’s since earned an additional Anthony, a Shamus award, the Ross Macdonald Literary Award, and this year Sue Grafton was given the Grand Master Award from the Mystery Writers of America.

Of course, people familiar with the Alphabet series know protagonist Kinsey Millhone lives in the fictional town of Santa Teresa, California, which is modeled after Sue’s own home of Montecito. And while Sue may claim that Kinsey is the “younger, smarter, thinner version” of herself, we know that Sue enjoys gardening, good cuisine and cats. She defines success as “doing what I want to do and answering to no one...except my cats, of course.”

So how does Sue sum this incredible lifetime of achievement?


Father wrote mysteries, now I do.


And I think I'm safe to say that her influence will now forever be felt in the genre. So excited to have Sue Grafton join us today.

Next up is another author releasing a book this week. Tom Schreck released his third Duffy Dombrowski novel, OUT COLD, this week. Tom spent 25 years working as an addictions counselor and now teaches at the collegiate level. He can also be seen occasionally on HBO judging world championship boxing. Somewhere amidst all those responsibilities he finds time to pen the Duffy series that started in 2007 with ON THE ROPES. Tom also does freelance writing for various publications.

Tom's love of basset hounds carries over into his Duffy Dombrowski novels in the form of Al, Duffy's trusty basset hound sidekick. An advocate for basset hound rescue programs, Tom donates many proceeds from the sale of his books to the rescue programs.

Another characteristic that Tom shares with his protagonist is a love of Elvis Presley. Duffy drives a Cadillac and listens to Elvis on 8-track tapes with Al riding shotgun and drooling.

Tom's books make me smile and his memoir is no different:


Woof, Arooo! Concentrate,Woof, Surrender, Treat.


Don't forget that you can enter to win all three Duffy Dombrowski novels here and Tom will be back on Friday for an outstanding interview. Check back!

Next up on our list of memoirists this week is an amazing woman. Megan Abbott is the Edgar Award-Winning author of four novels; this past July she released the fourth, BURY ME DEEP which was inspired by the true story of Winnie Ruth Judd, the "Trunk Murderess." Her shorter work has appeared in various anthologies and she is the editor of the Edgar-nominated A HELL OF A WOMAN: AN ANTHOLOGY OF FEMALE NOIR. In addition to her fiction work, Megan published a non-fiction work titled THE STREET WAS MINE: WHITE MASCULINITY IN HARDBOILED FICTION AND FILM NOIR.

In addition to her Edgar award for her novel QUEENPIN, Megan is a Barry award winner and a three-time Anthony Award nominee. Megan has a Ph.D. in English and American literature from New York University and lives in Queens, New York City. She also occasionally contributes to the Rap Sheet blog.

When I asked Megan for her memoir she said it is:



Lived in her own head,mostly.


But her fans are oh so happy she's put it all down in print! And if you ever have the chance to meet Megan, you'll quickly discover that she's one of the most generous people you'll ever meet. So thrilled to have her join in today.

And according to Lee Child our final memoirist today "writes like Dostoevsky's hooligan great-grandson on speed." How about that? Brent Ghelfi is the author of the Alexei Volkovoy, a.k.a. Volk, thriller series about a Russian gun-for-hire. The first book in the series, VOLK'S GAME, was nominated in 2007 by the International Thriller Writers for the Best First Novel award; it was also nominated for a Barry Best Thriller award. This past August, Brent released the third book in the Volk series, THE VENONA CABLE, and he is hard at work on the fourth book in the series. The Volk novels have been translated into seven languages and optioned for film. That's a lot of success to wrap up into one life-time, but Brent is looking forward; he says,



Three careers. Wonderful family. What's next?


Let's hope a lot!

Oh, my most heart-felt thanks to Sue, Tom, Megan and Brent for making this week's post so spectacular. I'm completely humbled to be joined by these writers I so greatly admire. I hope that you have enjoyed their memoirs as much as I have, and I hope that you enjoy their books as well.
Next week will be the final week for this year's memoirs. I don't know if I'll be able to match this week. It's going to be tough, but I'll see what I can do. I'll hopefully see you all then!
Happy Reading!


Friday, November 13, 2009

A Sneak Peak at Sue Grafton's U IS FOR UNDERTOW

Since I'm out of town this weekend, I thought I would leave you with this sneak peak of Sue Grafton's upcoming U IS FOR UNDERTOW. U IS FOR UNDERTOW will be available at the beginning of December, just in time for Christmas shopping. And don't be surprised if this isn't the last time we see Sue Grafton here on Jen's Book Thoughts this year.

Without further ado, U IS FOR UNDERTOW:


1


Wednesday afternoon, April 6, 1988

What fascinates me about life is that now and then the past rises up and declares itself. Afterward, the sequence of events seems inevitable, but only because cause and effect have been aligned in advance. It’s like a pattern of dominoes arranged upright on a tabletop. With the flick of your finger, the first tile topples into the second, which in turn tips into the third, setting in motion a tumbling that goes on and on, each tile knocking over its neighbor until all of them fall down. Sometimes the impetus is pure chance, though I discount the notion of accidents. Fate stitches together elements that seem unrelated on the surface. It’s only when the truth emerges you see how the bones are joined and everything connects.

Here’s the odd part. In my ten years as a private eye, this was the first case I ever managed to resolve without crossing paths with the bad guys. Except at the end, of course.

. . .

My name is Kinsey Millhone. I’m a private detective, female, age thirty-seven, with my thirty-eighth birthday coming up in a month. Having been married and divorced twice, I’m now happily single and expect to remain so for life. I have no children thus far and I don’t anticipate bearing any. Not only are my eggs getting old, but my biological clock wound down a long time ago. I suppose there’s always room for one of life’s little surprises, but that’s not the way to bet. I work solo out of a rented bungalow in Santa Teresa, California, a town of roughly 85,000 souls who generate sufficient crime to occupy the Santa Teresa Police Department, the County Sheriff’s Department, the California Highway Patrol, and the twenty-five or so local private investigators like me. Movies and television shows would have you believe a PI’s job is dangerous, but nothing could be farther from the truth . . . except, of course, on the rare occasions when someone tries to kill me. Then I’m ever so happy my health insurance premiums are paid up. Threat of death aside, the job is largely research, requiring intuition, tenacity, and ingenuity. Most of my clients reach me by referral and their business ranges from background checks to process serving, with countless other matters in between. My office is off the beaten path and I seldom have a client appear unannounced, so when I heard a tapping at the door to my outer office, I got up and peered around the corner to see who it was.

Through the glass I saw a young man pointing at the knob. I’d apparently turned the dead bolt to the locked position when I’d come back from lunch. I let him in, saying, “Sorry about that. I must have locked up after myself without being aware of it.”

“You’re Ms. Millhone?”

“Yes.”

“Michael Sutton,” he said, extending his hand. “Do you have time to talk?”

We shook hands. “Sure. Can I offer you a cup of coffee?”

“No, thanks. I’m fine.”

I ushered him into my office while I registered his appearance in a series of quick takes. Slim. Lank brown hair with a sheen to it, worn long on top and cut short over his ears. Solemn brown eyes, complexion as clear as a baby’s. There was a prep school air about him: deck shoes without socks, sharply creased chinos, and a short-sleeve white dress shirt he wore with a tie. He had the body of a boy: narrow shoulders, narrow hips, and long, smooth arms. He looked young enough to be carded if he tried to buy booze. I couldn’t imagine what sort of problem he’d have that would require my services.

I returned to my swivel chair and he settled in the chair on the other side of the desk. I glanced at my calendar, wondering if I’d set up an appointment and promptly forgotten it.

He noticed the visual reference and said, “Detective Phillips at the police department gave me your name and address. I should have called first, but your office was close by. I hope this isn’t an inconvenience.”

“Not at all,” I said. “My first name’s Kinsey, which you’re welcome to use. You prefer Michael or Mike?”

“Most people call me Sutton. In my kindergarten class, there were two other Michaels so the teacher used our last names to distinguish us. Boorman, Sutton, and Trautwein—like a law firm. We’re still friends.”

“Where was this?”

“Climp.”

I said, “Ah.” I should have guessed as much. Climping Academy is the private school in Horton Ravine, K through 12. Tuition starts at twelve grand for the little tykes and rises incrementally through the upper grades. I don’t know where it tops out, but you could probably pick up a respectable college education for the same price. All the students enrolled there referred to it as “Climp,” as though the proper appellation was just, like, sooo beside the point. Watching him, I wondered if my blue-collar roots were as obvious to him as his upper-class status was to me.

We exchanged pleasantries while I waited for him to unload. The advantage of a prearranged appointment is that I begin the first meeting with at least some idea what a prospective client has in mind. People skittish about revealing their personal problems to a stranger often find it easier to do by phone. With this kid, I figured we’d have to dance around some before he got down to his business, whatever it was.

He asked how long I’d been a private investigator. This is a question I’m sometimes asked at cocktail parties (on the rare occasion when I’m invited to one). It’s the sort of blah-blah-blah conversational gambit I don’t much care for. I gave him a rundown of my employment history. I skipped over the two lackluster semesters at the local junior college and started with my graduation from the police academy. I then covered the two years I’d worked for the Santa Teresa PD before I realized how ill suited I was to a life in uniform. I proceeded with a brief account of my subsequent apprenticeship with a local agency, run by Ben Byrd and Morley Shine, two private investigators, who’d trained me in preparation for licensing. I’d had my ups and downs over the years, but I spared him the details since he’d only inquired as a stalling technique. “What about you? Are you a California native?”

“Yes, ma’am. I grew up in Horton Ravine. My family lived on Via Ynez until I went off to college. I lived a couple of other places, but now I’m back.”

“You still have family here?”

His hesitation was one of those nearly imperceptible blips that indicates internal editing. “My parents are gone. I have two older brothers, both married with two kids each, and an older sister who’s divorced. We’re not on good terms. We haven’t been for years.”

I let that pass without comment, being better acquainted with family estrangement than I cared to admit. “How do you know Cheney Phillips?”

“I don’t. I went into the police department, asking to speak to a detective, and he happened to be free. When I told him my situation, he said you might be able to help.”

“Well, let’s hope so,” I said. “Cheney’s a good guy. I’ve known him for years.” I shut my mouth then and let a silence descend, a stratagem with
remarkable powers to make the other guy talk.

Sutton touched the knot in his tie. “I know you’re busy, so I’ll get to the point. I hope you’ll bear with me. The story might sound weird.”

“Weird stories are the best kind, so fire away,” I said.

He looked at the floor as he spoke, making eye contact now and then to see if I was following. “I don’t know if you saw this, but a couple of weeks ago, there was an article in the newspaper about famous kidnappings: Marion Parker, the twelve-year-old girl who was abducted in 1927; the Lindbergh baby in ’thirty-two; another kid, named Etan Patz. Ordinarily, I don’t read things like that, but what caught my attention was the case here in town . . .”

“You’re talking about Mary Claire Fitzhugh—1967.”

“You remember her?”

“Sure. I’d just graduated from high school. Little four-year-old girl taken from her parents’ home in Horton Ravine. The Fitzhughs agreed to pay the ransom, but the money was never picked up and the child was never seen again.”

“Exactly. The thing is, when I saw the name Mary Claire Fitzhugh, I had this flash—something I hadn’t thought about for years.” He clasped his hands together and squeezed them between his knees. “When I was a little kid, I was playing in the woods and I came across these two guys digging a hole. I remember seeing a bundle on the ground a few feet away. At the time, I didn’t understand what I was looking at, but now I believe it was Mary Claire’s body and they were burying her.”

I said, “You actually saw the child?”

He shook his head. “She was wrapped in a blanket, so I couldn’t see her face or anything else.”

I studied him with interest. “What makes you think it was Mary Claire? That’s a big leap.”

“Because I went back and checked the old newspaper accounts and the dates line up.”

“What dates?”

“Oh, sorry. I should have mentioned this before. She was kidnapped on July 19, which was a Wednesday. I saw the guys on Friday, July 21, 1967 . . . my birthday, the year I turned six. That’s how I made the association. I think she was already dead by then and they were getting rid of the body.”

“And this was where?”

“Horton Ravine. I don’t know the exact location. My mother had errands to run that day so she dropped me off at some kid’s house. I don’t remember his name. I guess his mom had agreed to look after me while she was gone. Turns out the other kid woke up with a fever and sore throat. Chicken pox was going around and his mom didn’t want me exposed in case that’s what it was, so she made him stay in his room while I hung around downstairs. I got bored and asked if I could go outside. She said I could as long as I didn’t leave the property. I remember finding this tree with branches that hung down to make a little room, so I played there for a while, pretending I was a bandit in a cool hideout. I heard voices and when I peeped through the leaves, I saw the two guys walk by with shovels and stuff and I followed them.”

“What time of day?”

“Must have been late morning because after I came in again, the kid’s mother fed me lunch—a plain lettuce and tomato sandwich, no bacon, and it was made with Miracle Whip. Our family didn’t eat Miracle Whip. My mother wouldn’t have it in the house. She said it was disgusting compared to real homemade mayonnaise.”

“Your mother made mayonnaise?”

“The cook did.”

“Ah.”

“Anyway, Mom always said it was rude to complain, so I ate what I could and left the rest on my plate. The kid’s mom hadn’t even cut the crusts off the bread.”

“There’s a shock,” I said. “I’m impressed your memory’s so clear.”

“Not clear enough or I wouldn’t be here. I’m pretty sure the two guys I saw were the ones who abducted Mary Claire, but I have no idea where I was. I know I’d never been to the house before and I never went there again.”

“Any chance one of your siblings would remember who the kid was?”

“I guess it’s possible. Unfortunately, we don’t get along. We haven’t spoken in years.”

“So you said.”

“Sorry. I don’t mean to repeat myself. The point is, I can’t call them up out of a clear blue sky. Even if I did, I doubt they’d talk to me.”

“But I could ask, couldn’t I? That would be the obvious first move if you’re serious about this.”

He shook his head. “I don’t want them involved, especially my sister, Dee. She’s difficult. You don’t want to mess with her.”

“All right. We’ll scratch that for now. Maybe the kid’s mother was being paid to babysit.”

“That wasn’t my impression. More like she was doing Mom a favor.”

“What about your classmates? Maybe she left you with one of the other moms, like a playdate.”

Sutton blinked twice. “That’s a possibility I hadn’t thought of. I’ve kept in touch with the other two Michaels, Boorman and Trautwein, but that’s the
extent of it. I didn’t like anybody else in my kindergarten class and they didn’t like me.”

“It doesn’t matter if you liked them or not. We’re trying to identify the boy.”
“I don’t remember anyone else.”

“It should be easy enough to come up with a list. You must have had class photos. You could go back to the school library and check the ’67 yearbook.”

“I don’t want to go back to Climp. I hate the idea.”

“It’s just a suggestion. So far, we’re brainstorming,” I said. “Tell me about the two guys. How old would you say?”

“I’m not sure. Older than my brothers, who were ten and twelve at the time, but not as old as my dad.”

“Did they see you?”

“Not then. I decided to spy on them, but where they ended up was too far away and I couldn’t see what they were doing. I sneaked up on them, crawling through the bushes and crouching behind a big oak. It was hot and they were sweating so they’d taken off their shirts. I guess I wasn’t as quiet as I thought because one of them spotted me and they both jumped. They stopped what they were doing and asked what I wanted.”

“You actually talked to them?”

“Oh, sure. Absolutely. We had this whole conversation. I thought they were pirates and I was all excited about meeting them.”

“Pirates?”

“My mother was reading me Peter Pan at bedtime, and I loved the illustrations. The pirates wore bandannas tied around their heads, which is what the two guys had done.”

“Beards? Earrings? Eye patches?”

That netted me a smile, but not much of one. He shook his head. “It was the bandannas that reminded me of pirates. I told them I knew that because of Peter Pan.”

“What’d you talk about?”

“First, I asked ’em if they were pirates for real and they told me they were. The one guy talked more than the other and when I asked what they were doing, he said they were digging for buried treasure . . .”

As Sutton spoke, I could see him regressing to the little boy he’d been, earnest and easily impressed. He leaned forward in his chair. “I asked if the treasure was gold doubloons, but they said they didn’t know because they hadn’t found it yet. I asked to see the treasure map and they said they couldn’t show me because they were sworn to secrecy. I’d seen the bundle on the ground, over by this tree, and when I asked about it, the first guy said it was a bedroll in case they got tired. I offered to help dig, but he told me the job was only for grown-ups and little kids weren’t allowed. And then the other one spoke up and asked where I lived. I told them I lived in a white house, but not on this street, that I was visiting. The first guy asked what my name was. I told him and the other one spoke up again and said he thought he heard someone calling me so I better go, which is what I did. The whole exchange couldn’t have taken more than three minutes.”

“I don’t suppose either of them mentioned their names?”

“No. I probably should have asked, but it didn’t occur to me.”

“Your recall impresses me. Much of my life at that age is a total blank.”

“I hadn’t thought about the incident for years, but once the memory was triggered, I was right there again. Just like, boom.”

I reran the story in my mind, trying to digest the whole of it. “Tell me again why you think there’s a connection to Mary Claire. That still seems like a stretch.”

“I don’t know what else to say. Intuition, I guess.” “What about the kidnapping. How did that go down? I remember the broad strokes, but not the particulars.”

“The whole thing was horrible. Those poor people. The ransom note said not to contact the police or the FBI, but Mr. Fitzhugh did it anyway. He thought it was the only way to save her, but he was wrong.”

“The first contact was the note?”

Sutton nodded. “Later they phoned and said he had one day to get the money together or else. Mr. Fitzhugh had already called the police and they were the ones who contacted the FBI. The special agent in charge convinced him they’d have a better chance of nabbing the guys if he and his wife appeared to cooperate, so they advised him to do as he was told . . .”

“Twenty-five thousand dollars, wasn’t it? Somehow the number sticks in my head.”

“Exactly. The kidnappers wanted it in small bills, packed in a gym bag. They called again and told him where he was supposed to leave the money. He stalled. They must have thought there was a trap on the line because they cut the call short.”

“So he dropped off the ransom money and the kidnappers didn’t show.”

“Right. After a day passed, it was clear the FBI had bungled it. They still thought they had a chance, but Mr. Fitzhugh said to hell with them and took matters into his own hands. He notified the newspapers and the radio and TV stations. After the story broke, Mary Claire was all anybody talked about—my parents and everyone else.”

“What day was it by then?”

“Sunday. Like I said before, she was kidnapped on Wednesday and I saw them on Friday. The paper didn’t carry the story until Sunday.”

“Why didn’t you speak up?”

“I did. I’d already done that. When my mother came to get me, I told her about the pirates. I felt guilty. Like I’d done something wrong.”

“How so?”

“I don’t know how to pin it down. I believed what they said about digging for treasure. When you’re six, things like that make perfect sense, but on some level I was anxious and I wanted reassurance. In¬stead, Mom got mad. She said I wasn’t supposed to talk to strangers and she made me promise I’d never do it again. When we got home, she sent me straight to my room. On Sunday we heard the news about Mary Claire.”

“And your mother didn’t see the relevance?”

“I guess not. She never mentioned it and I was too scared to bring it up again. She’d already punished me once. I kept my mouth shut so she wouldn’t punish me again.”

“But it worried you.”

“For a while, sure. After that, I put the incident out of my mind. Then I saw Mary Claire’s name and it all came back.”

“Did you ever see either guy again?”

“I don’t think so. Maybe one of them. I’m not sure.”

“And where would that have been?”

“I don’t remember. I might have made a mistake.”

I picked up a pencil and made a mark on the yellow pad lying on my desk. “When you explained this to Cheney, what was his response?”

His shoulder went up in a half-shrug. “He said he’d check the old case notes, but he couldn’t do much more because the information I’d given him was too vague. That’s when he mentioned you.”

“Sounds like he was passing the buck.”

“Actually, what he said was you were like a little terrier when it came to flushing out rats.”

“Sucking up,” I said. Mentally, I was rolling my eyes because Cheney wasn’t far off the mark. I liked picking at problems and this was a doozy. “What about the house itself? Think you’d recognize it if you saw it again?”

“I doubt it. Right after I read the article, I drove around the old neighborhood, and even the areas I knew well had changed. Trees were gone, shrubs were overgrown, new houses had gone up. Of course, I didn’t cover the whole of Horton Ravine, but I’m not sure it would have made any difference since I don’t have a clear image. I think I’d recognize the place in the woods. The house is a blur.”

“So twenty-one years later, you’re clueless and hoping I can figure out where you were.”

“Yes, ma’am.”

“You want me to find an unmarked grave, basically a hole.”

“Can you do it?”

“I don’t know. I’ve never tried before.”

I studied him, chasing the idea around to see where it might go. “It’s an interesting proposition. I’ll give you that.”

I rocked in my swivel chair, listening to the squeak, while I sifted through the story, wondering what I’d missed. There was something more going on, but I couldn’t imagine what. Finally, I said, “What’s your stake in the situation? I know it bothers you, but why to this extent?”

“I don’t know. I mean, the article talked about how the kidnapping ruined Mrs. Fitzhugh’s life. She and her husband divorced and he ended up leaving town. She still has no idea what happened to her little girl. She doesn’t even know for sure she’s dead. If I can help, it seems like the right thing to do.”

“It’s going to cost you,” I said.

“I figured as much.”

“What sort of work do you do?”

“Nothing right now. I lost my job so I’m on unemployment.”

“What was the job?”

“I sold advertising for KSPL.”

KSPL was the local AM station I sometimes tuned in on my car radio when I was tooling around town. “How long were you there?”

“About a year, maybe a little less.”

“What’s it mean when you say you ‘lost’ your job? Were you laid off, downsized, fired, what?”

He hesitated. “The last one.”

“Fired.”

He nodded.

I waited and when it was clear he had no intention of continuing, I gave him a nudge. “Uh, Sutton, I’d consider it a courtesy if you’d be a bit more forthcoming. Would you care to fill me in?”

He rubbed his palms on his pants. “I said I had a BA from Stanford, but it wasn’t really true. I was enrolled and attended classes for a couple of years, but I didn’t graduate.”

“So you lied on the application?”

“Look, I know I made a mistake . . .”

“That would cover it,” I said.

“But I can’t do anything about it now. What’s done is done and I just have to move on.” I’d heard a host of criminals make the same remark, like boosting cars, robbing banks, and killing folks could be brushed aside, a minor stumble on the path of life. “Have you given any thought to how you’re going to pay me out of your unemployment benefits? We’re talking about five hundred bucks a day, plus expenses. Assuming I agree to help, which I haven’t.”

“I have some money set aside. I thought I’d write a check for one day’s work and we’d see how it goes from there.”

“A check?”

A flush tinted his cheeks. “I guess that’s not such a hot idea.”

“You got that right. What’s plan B?”

“If you’re going to be here for a while, I could make a quick run to the bank and bring you cash.”

I considered the notion. The prime item on my Thursday To Do list was to make a bank deposit and pay bills. I had two reports to write and a few calls to make, but I could shift those to Friday. The job itself might end in folly, but at least when he mentioned “the right thing to do,” he didn’t turn around and ask me to work for free. I wasn’t convinced he was right about what he’d seen, but Cheney must have considered the story credible or he wouldn’t have sent him over to me.

“Okay. One day, but that’s it. And only if you pay me cash in advance. I’ll be here until five o’clock. That should give you plenty of time.”

“Great. That’s great.”

“I don’t know how great it is, but it’s the best I can do. When you get back, if I happen to be out, you can stick the money through the mail slot. In the meantime, give me a contact number so I’ll know how to reach you.”

I handed him my yellow pad and watched while he scribbled down his address and telephone number. In return I handed him my business card with my office number and address.

He said, “I really appreciate this. I don’t know what I’d have done if you hadn’t agreed.”

“I’ll probably regret it, but what the hell? It’s only one day,” I said. If I’d been listening closely, I’d have caught the sound of the gods having a great big old tee-hee at my expense.

I said, “You’re sure you don’t want to make the trip up to Climp? It would save you a few bucks.”

“I don’t want to. They probably wouldn’t talk to me in any event.”

“I see.” I studied him. “You want to tell me what’s going on here? You can’t talk to your siblings and now you can’t talk to your prep school pals?”

“I already told you I didn’t have pals. It has more to do with the administration.”

“How come?”

“There were some difficulties. I had a problem.”

“Like what, you were expelled?” I love stories about flunking and expulsions. With my history of screwups, those are like fairy tales.

“It’s not something I want to get into. It has nothing to do with this.” A stubborn note had crept into his voice. “You go up there. They’ll let you see
yearbooks as easily as me.”

“I doubt it. Educational institutions hate handing over information about their students. Especially with the words ‘private investigator’ thrown into the mix.”

“Don’t tell ’em you’re a PI. Think of something else.”

“I didn’t even attend Climping Academy so why would I want to see a yearbook? It makes no sense.”

He shook his head. “I won’t do it. I have my reasons.”

“Which you’re not about to share.”

“Right.”

“Okay, fine. It’s no skin off my nose. If that’s how you want to spend your five hundred bucks, I can live with it. I love driving through Horton Ravine.”

I got up, and as we shook hands again, I realized what was bothering me. “One more question.”

“What’s that?”

“The article came out two weeks ago. Why’d you wait so long before you went to the police?”

He hesitated. “I was nervous. All I have is a hunch. I didn’t want the police to write me off as a crank.”

“Nuh-uh. That’s not all of it. What else?”

He was silent for a moment, color rising in his cheeks again. “What if the guys find out I remembered them? I might have been the only witness and I told them my name. If they’re the ones who killed Mary Claire, why wouldn't they kill me?"



O.k., so there's your teaser! U IS FOR UNDERTOW will be available the first week in December. And I will be back next week with fun stories and pictures to share from Murder and Mayhem in Muskego. Have a wonderful weekend and happy reading!



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