Quote of the Week
The girl glances at the surface of the desk, which looks as if toddlers have been trying to eat potatoes off it. With pitchforks. In the dark.
--Fredrik Backman in Britt-Marie Was Here
The girl glances at the surface of the desk, which looks as if toddlers have been trying to eat potatoes off it. With pitchforks. In the dark.
--Fredrik Backman in Britt-Marie Was Here
Posted by Jen Forbus 0 comments
Labels: 2016, Fredrik Backman, quote of the week
Greetings! Long time no blog. First, I would like to send out big, warm virtual hugs to those people who sent me nice messages. They were so kind; not one of them said, "hey slacker, what the heck is going on?" I apologize for my hiatus.
For those that don't know, I went on vacation to Virginia during the second week of April, where I played with dogs and chickens and my wonderful friend Ginny Phillips who blogs over at gspotsylvania.
![]() |
| Henrietta Poppy |
![]() |
| Millie |
![]() |
| Tiffin |
I often get so wrapped in the immediate list of things I have on my reading schedule that I don't look ahead more than that. I thought I'd stop looking at the ground for a little while and glance forward to see what I'm excited about on the reading horizon.
O.k. well, the first book isn't that much forward. It's actually tomorrow. Gregg Hurwitz's Orphan X is the first in a new series for him--and it's quite different, but I'll save that for the review. I've been feeling a little withdrawal since I didn't have any Hurwitz last year, but Orphan X is here, so I should get my fix and be fine again.
And next week is Alafair Burke's The Ex. I haven't had an opportunity to read her books with Mary Higgins Clark, so I'm ready to tear into this one--another author I missed reading last year.
February is bringing The Opposite of Everyone by Joshilyn Jackson, Jo Nesbø's The Midnight Sun and a non-fiction title Incarceration Nations by a John Jay professor named Baz Dreisinger.
Also in February--it's a good month for books--is Daniel Black's Listen to the Lambs, Neal Griffin's A Voice from the Field, and Johnny Shaw's Floodgate. Very different books, but all titles to look forward to.
One of the debut's I'm looking forward to comes out in February as well: Out of the Blues by Trudy Nan Boyce.
March has Lyndsay Faye's Jane Steele, Lisa Lutz's The Passenger and a couple of historical fiction titles I'm excited about: Mrs. Houdini by Victoria Kelly and Hanging Mary by Susan Higginbotham.
And I have to admit I'm rather intrigued by Keri Smith's Wander Society.
Steve Hockensmith wants us to Give the Devil His Due in the next Tarot Card mystery, out in April along with Simon Van Booy's Father's Day.
We have to wait until September for the next Walt Longmire novel, but May will bring a new novella, The Highwayman. I eagerly anticipate BOTH!
Also in May is another debut I'm excited about, Mission Hill by Pamela Wechsler. She's written for TV and now she's starting a legal thriller series. Another TV writer with a book out in May is Noah Hawley whose Before the Fall I'm looking forward to.
In August, Michael Koryta's second Mark Novak novel will come out. Which gives me time to read the first. It is one of the titles on my 2015 list I still hope to get to. And W. Bruce Cameron has another Repo Man book coming! If you missed it, yesterday I summed up my reading stats and shared my favorite audiobooks, debuts and non-fiction works. Today I'm going to reveal my favorite crime novels of 2015 and my favorite overall reads of 2015, so let's not waste any time. As with yesterday's lists, these are in no particular order.
I have been terrible about getting my audiobook reviews on the blog this year. I am listening to them regularly and reviewing for AudioFile Magazine, but neglecting to get them up on the blog once they've appeared in the magazine. Part of this is because my intention was always to rewrite them with a bit more about the content of the book. My reviews for AudioFile focus on the recording. Time just hasn't allowed that, so I wanted to share a few of my favorites with you from this year with AudioFile's permission. So, let's take a look:
Deviating from her bestselling non-fiction, Judith Flanders tries her hand at mystery in this debut novel. Susan Duerden gives voice to Flanders' narrating protagonist, publishing editor Samantha Clair. With consistency and emotion she creates a high level of authenticity in the reactions of a woman unaccustomed to big money book sales, let alone murder and mayhem. Duerden maintains a swift pace without hurrying and her dialects are distinct as Sam travels by foot, train and plane throughout Europe searching for clues about her missing author, Kit Lowell. Edgier than a traditional cozy, Duerden offers a light tone, while still delivering the occasional profanity with spunk. The only disappointment in this enjoyable recording is a flat delivery of the novel's sharp humor.
David Colacci reveres the wolf in his narration of W. Bruce Cameron's The Dog Master. Guiding listeners through three time periods, multiple early tribes of humans and the wolf packs, he keeps the momentum of the plot swift, the characters distinct and the atmosphere rich. The tensions, anxieties and frustrations of both these early people and their canine counterparts are palpable in Colacci's boundless reading of a tale about the first dog. Without resorting to exaggerated dramatic effects, he builds an authentic tone of constant danger in an uncertain world of hunter and prey while also establishing passionate relationships--human to human and human to wolf. Exciting, engaging and enjoyable, The Dog Master should have a wide appeal for many audiobook listeners.Do you have your copy of My Grandmother Asked Me to Tell You She's Sorry, yet? If you don't, go forth and find one. It will be the best decision you make this summer, if not this whole year. One more little taste of the wonderfulness that is this book:
The Monster looks at her as if she just asked him to get naked, roll in saliva and then run through a postage stamp factory with the lights off.
--Fredrik Backman in My Grandmother Asked Me to Tell You She's Sorry
Posted by Jen Forbus 0 comments
Labels: 2015, Fredrik Backman, quote of the week
Next Tuesday is release day for My Grandmother Asked Me to Tell You She's Sorry. I'll have one more quote next week, but hopefully by then you'll be reading this book yourselves!
There are no 'only' nightmares--they're living creatures, dark little clouds of insecurity and anguish that come sneaking between the houses when everyone is asleep, trying all the doors and windows to find some place to slip inside and start causing a commotion. And that is why there are nightmare hunters.
--Fredrik Backman in My Grandmother Asked Me to Tell You She's Sorry
Posted by Jen Forbus 0 comments
Labels: 2015, Fredrik Backman, quote of the week
In the run up to the release of Fredrik Backman's new book (June 16th), I'm going to feature a new quote from My Grandmother Asked Me to Tell You She's Sorry each week for Quote of the Week. I could fill a year with amazing quotes from this book, but I want you to have at least a small taste of how wonderful the writing is. Hope you enjoy...
George use to say that Granny wasn't a time-optimist, she was a time-atheist, and the only religion she believed in was the Do-it-later-Buddhism.
--Fredrik Backman in My Grandmother Asked Me to Tell You She's Sorry
Posted by Jen Forbus 2 comments
Labels: 2015, Fredrik Backman, quote of the week
First line: "Every seven-year-old deserves a superhero."
"You need to be almost asleep. And in those last few seconds when your eyes are closing, when the mists come rolling in across the boundary between what you think and what you just know, that's when you set off. You ride into the Land-of-Almost-Awake on the back of cloud animals, because that's the only way of getting there."
"...there storytelling is considered the noblest profession of all. The currency there is imagination; instead of buying something with coins you buy it with a good story. Libraries aren't know as libraries but as 'banks' and every fairy tale is worth a fortune."
"'I like physical books.' [woman in the black skirt]
'You can have all sorts of books on an iPad.' [Elsa]
The woman's fingers tremble slightly. She peers at Elsa, a little as one peers at a person one meets outside a toilet, where one has spent just a tad too long.
'That's not what I mean by "a book." I mean a "book" in the sense of the dust jacket, the cover, the pages...'
'A book is the text. And you can read the text on an iPad!'
The woman's eyes open and close like large fans.
'I like holding the book while I'm reading.'
'You can hold an iPad.'
'I mean I like being able to turn the pages,' the woman tries to explain.
'You can turn the pages on an iPad.'
The woman nods, with the slowest nod Elsa has seen in all her life. Else throws her arms out.
'But, you know, do what you like! Have a million books! I was only, like, asking. It's still a book if you're reading it on an iPad. Soup is soup whatever bowl it's in.'"
"The park seems to be creeping under a blanket. She hears another voice beside the first, slurring and stumbling over its words as if it's put its shoes the wrong way round."
"You can kill a nightmare, but you can scare it. And there's nothing so feared by nightmares as milk and biscuits."
"Death's greatest power is not that it can make people die, but that it can make people want to stop living."
Posted by Jen Forbus 0 comments
Labels: 2015, Fredrik Backman, General Fiction, Review, review copy
It does not seem possible that today is the last day of 2014. The calendar pages really seemed to turn quickly for me this year. Did you find that too?
I had quite a successful year of reading. I read 106 books this year. This is actually the most I've read since the first year I blogged. In 2008 I read 112. It's a pretty big accomplishment for me considering how many non-fiction books I've read this year--they always take me a little longer to read than fiction.
But here are the statistical breakdowns, for those who might be interested.
Total books read: 106
Number of different authors read: 102
Number of new-to-me authors: 70
Number of debuts: 12
Number of audiobooks: 35
Number of fiction works: 85
Number of non-fiction works: 21
Number of male authors: 72
Number of female authors: 37
(note: the overlap in gender numbers comes from books with multiple authors)
I've enjoyed the variety of books I've read and my year-end list surely reflects it. While I often feel like there's a lot I'm missing, I know it isn't realistic to think I can read it all. I'm quite content reading what makes me happy, though. My approach will probably go in a similar direction for 2015 but you never can tell what interesting twists may arise. In the mean time, a look at my favorite reads of 2014.
A drumroll please....
Posted by Jen Forbus 4 comments
Labels: 2014, Alafair Burke, Alan Finn, Bryan Stevenson, Craig Johnson, Fredrik Backman, Jutta Profijt, Linda Tirado, Louis Bayard, Matt Bai, Steve Israel
2014 brought about my entry into reviewing audiobooks for Audiofile Magazine. My organization--or rather lack thereof--for this year has been the main obstacle for me getting those reviews here on the blog. The reviews for Audiofile focus on the production and not the story, so I have wanted to add additional information into the reviews to cover my reactions to the stories as well. I am hoping to do better in 2015 in this area so I can include those reviews here as well. In the meantime, those audios listed below that I haven't reviewed here, but have appeared at Audiofile will be linked to their pages on the Audiofile site. I hope you'll visit the site if you don't already.
My choices for favorite audiobooks--from the 35 I listened to this year--are based solely on the audio production, so some of the books listed below may not be (in my opinion) the greatest stories but they were stellar performances. They were enjoyable to listen to. So if the story wasn't that great then the narrator was extra wonderful in order to overcome that disadvantage and keep me engaged for the entire book.
FAVORITE AUDIOBOOKS OF 2014 ARE:
5. Midwinterblood (written by Marcus Sedgwick; narrated by Julian Rhind-Tutt): this is a YA book, but can certainly be enjoyed by any listener. A strong atmosphere and Rhind-Tutt does a magical job with the irregular structure of this book. It's a collection of interconnected stories and he keeps the reader firmly entwined in that connecting thread. (Listening Library)
4. The Intern's Handbook (written by Shane Kuhn; narrated by Pete Simonelli): this particular book is showing up all over my lists this year. It's a wonderful, complete package. Simonelli didn't try to force drama into this book, he kept his reading dry to match the concept of the handbook--who's ever read a dramatic handbook? This may at first seem like the audiobook would be a boring listen, but quite the contrary. His approach enhanced the sarcastic humor and the suspense of the genius plot. (Simon & Schuster Audio)
3. Wait for Signs (written by Craig Johnson; narrated by George

Guidall): I'm utterly convinced that there is nothing Guidall can't do when it comes to narration, but he still continues to amaze me in his depiction of Craig Johnson's world of Absaroka County. Johnson's short stories are especially powerful with huge helpings of passion and meaning in small packages. Guidall made the opening of these packages a joyous occasion. He juggles the spiritual, the humorous, the respectful and the heartfelt without dropping a single ball. Sometimes he has to perform a magic trick and juggle them so they merge and then reappear as separate entities. He does it all without breaking a sweat--or at least without letting us hear he's breaking a sweat. He also shows up the individual who reads the introduction to this collection...the person who couldn't be bothered to find out how to pronounce Absaroka even though it appears half a dozen times in the text. How lame! (Recorded Books)
2. The Midnight Plan of the Repo Man (written by W. Bruce Cameron; narrated by George K. Wilson): This is a book I may very well have turned away from had I been reading it in print. It deals with a ghost trapped in the main character's head. Not my normal fare, but the presentation was simply so engaging and fun I was disappointed when the book ended. (Macmillan Audio)
1. The Morgue Drawer series (written by Jutta Profijt; translated by Erik J. Macki; narrated by Macleod Andrews): This is the only series this year that I started and HAD to continue to listen to--one right after the other. Unfortunately I wasn't able to get my hands on the second book, so I'll still be anticipating that one. I listened to the first book, Morgue Drawer Four, then the fourth, Morgue Drawer: Do Not Enter!, then the third, Morgue Drawer for Rent. They were absolutely wonderful even out of order. I'll have a full review for you soon, but suffice it to say these blew me away. The story concept is fabulous; the translation is brilliant--there's tons of slang and made-up words and Macki did an incredible job taking them from the original German to English; finally at the delivery Macleod Andrews was astounding. His timing, his attitude, his energy and intensity, they were all award-worthy. I love this series and the audiobooks are pure gold. (Brilliance Audio)




© Blogger templates 'Neuronic' by Ourblogtemplates.com 2008
Back to TOP