Showing posts with label W. Bruce Cameron. Show all posts
Showing posts with label W. Bruce Cameron. Show all posts

Monday, January 18, 2016

Looking forward to 2016 reads

I often get so wrapped in the immediate list of things I have on my reading schedule that I don't look ahead more than that. I thought I'd stop looking at the ground for a little while and glance forward to see what I'm excited about on the reading horizon.

O.k. well, the first book isn't that much forward. It's actually tomorrow. Gregg Hurwitz's Orphan X is the first in a new series for him--and it's quite different, but I'll save that for the review. I've been feeling a little withdrawal since I didn't have any Hurwitz last year, but Orphan X is here, so I should get my fix and be fine again.

And next week is Alafair Burke's The Ex.  I haven't had an opportunity to read her books with Mary Higgins Clark, so I'm ready to tear into this one--another author I missed reading last year.

February is bringing The Opposite of Everyone by Joshilyn Jackson, Jo Nesbø's The Midnight Sun and a non-fiction title Incarceration Nations by a John Jay professor named Baz Dreisinger.

Also in February--it's a good month for books--is Daniel Black's Listen to the Lambs, Neal Griffin's A Voice from the Field,  and Johnny Shaw's Floodgate. Very different books, but all titles to look forward to.

One of the debut's I'm looking forward to comes out in February as well: Out of the Blues by Trudy Nan Boyce. 

March has Lyndsay Faye's Jane Steele, Lisa Lutz's The Passenger and a couple of historical fiction titles I'm excited about: Mrs. Houdini by Victoria Kelly and Hanging Mary by Susan Higginbotham.

And I have to admit I'm rather intrigued by Keri Smith's Wander Society.

Steve Hockensmith wants us to Give the Devil His Due in the next Tarot Card mystery, out in April along with Simon Van Booy's Father's Day.

We have to wait until September for the next Walt Longmire novel, but May will bring a new novella, The Highwayman.  I eagerly anticipate BOTH!

Also in May is another debut I'm excited about, Mission Hill by Pamela Wechsler. She's written for TV and now she's starting a legal thriller series. Another TV writer with a book out in May is Noah Hawley whose Before the Fall I'm looking forward to.

And...and...and...the next Fredrik Backman book comes out in May! Britt-Marie Was Here. I can hardly sit still when I type this. If you read My Grandmother Asked Me to Tell You She's Sorry, you'll know Britt-Marie was a character in that book. It sounds like the new one combines the best qualities of his first two books...but you know my feelings, everything about those two books were spectacular. I just can't wait for this one!  

Finally for May, John Connolly and Jennifer Ridyard wrap up The Chronicles of the Invaders trilogy with Dominion. I've really enjoyed this YA series...and it's sci-fi. Who knew?

June brings back Shake Bouchon in Double Barrel Bluff (I just love his titles!). I can't wait for this book, partly because I want to read the Skype seen. Lou did research for that scene while we conducted an interview via Skype! But more than anything, I love Lou Berney's writing. It's such a treat whenever there's a new book from him.

Property of the State is out in June from Bill Cameron. This is a YA and I'm rather excited to see what Cameron is going to deliver in this younger age bracket.

Also breaking into the YA realm this year is Louis Bayard with Lucky Strikes. All one needs to say is that a new Bayard is coming, and I get goose bumps.

In August, Michael Koryta's second Mark Novak novel will come out. Which gives me time to read the first. It is one of the titles on my 2015 list I still hope to get to. And W. Bruce Cameron has another Repo Man book coming!

Sean Chercover will wrap up the Game Trilogy in September with a very fitting title, The Apocalypse Game. And Chris Holm releases Red Right Hand...another one I have to get to from my 2015 list is The Killing Kind. I have to do so before September!

Very quickly, a couple that have already released: Marcus Sakey's final book in the Brilliance trilogy: Written in Fire (does it seem like a lot of trilogies are wrapping up this year?!) and Reed Farrel Coleman's Where It Hurts. I reviewed Coleman's book for Shelf, but I have to get to Sakey's, I can't let that one go unread!

**Correction** Coleman's book comes out next week. It's only January and I'm already losing track of time. Good gracious!

Lots of goodness coming in 2016, right? I'm sure there's more I should have on my list, so let me know what you're looking forward to this year.

Happy Reading!

Monday, November 9, 2015

Catching Up on Audiobooks

I have been terrible about getting my audiobook reviews on the blog this year. I am listening to them regularly and reviewing for AudioFile Magazine, but neglecting to get them up on the blog once they've appeared in the magazine. Part of this is because my intention was always to rewrite them with a bit more about the content of the book. My reviews for AudioFile focus on the recording. Time just hasn't allowed that, so I wanted to share a few of my favorites with you from this year with AudioFile's permission. So, let's take a look:

A Murder of Magpies by Judith Flanders


Deviating from her bestselling non-fiction, Judith Flanders tries her hand at mystery in this debut novel. Susan Duerden gives voice to Flanders' narrating protagonist, publishing editor Samantha Clair. With consistency and emotion she creates a high level of authenticity in the reactions of a woman unaccustomed to big money book sales, let alone murder and mayhem. Duerden maintains a swift pace without hurrying and her dialects are distinct as Sam travels by foot, train and plane throughout Europe searching for clues about her missing author, Kit Lowell. Edgier than a traditional cozy, Duerden offers a light tone, while still delivering the occasional profanity with spunk. The only disappointment in this enjoyable recording is a flat delivery of the novel's sharp humor.
Audiofile


Shark Skin Suite by Tim Dorsey

Hold on to your sun screen and shades, Florida's own Serge A. Storms is back and so is his versatile narrator, Oliver Wyman. A cast recording isn't necessary with Wyman at the helm. The wrinkles and white hair on a crew of plucky senior women ride the waves of Wyman's geriatric sound as assuredly and confidently as Mahoney's smooth gumshoe jive rolls off his tongue. Whether it's Coleman's dawdling drugged diction or Serge's speeding caffeinated chatter, Wyman is seamless in his delivery, highlighting subtle nuances in each character. Dorsey's series is famous for the wacky humor and Wyman delivers it with verve, leaving listeners chuckling heartily throughout. Veteran listeners or newbies are sure to enjoy this addition to the Serge A. Storms oeuvre.
Audiofile


Gun Street Girl by Adrian McKinty


Gerard Doyle returns to Adrian McKinty's Detective Sean Duffy series to give a stunning performance in his reading of the fourth installment, GUN STREET GIRL. The plot, involving a suspicious murder-suicide possibly connected to arms dealers, is packed with subtle nuances and passions that underlie a tired, beat down, highly complex RUC inspector. Simultaneously Duffy's protégé, Alexander Lawson, possess the unrestrained wonder and eagerness of an optimistic youth. Doyle narrates these mirroring roles with an elegant grace that makes listeners forget he's even there. From the subtle changes in dialect to McKinty's distinct writing cadence--and most especially the dark humor--Doyle hones in on and perfectly enacts all the minute details making this police procedural engaging and a joy to listen to.
Audiofile


Night Life by David C. Taylor


Keith Szarabajka ferries his audience back into David C. Taylor's McCarthy-era New York City with such authenticity they may start seeing their surroundings in black and white. Taylor's richly atmospheric debut crime novel, NIGHT LIFE, is only enhanced by Szarabajka's vast range of meticulous dialects, reflecting the diversity of the period. Szarabajka also subtly teases out the harsh ugliness of a nation in fear and leaders who profit from it. He delivers Taylor's stellar dialogue with a gritty grace befitting hardened cops and dirty politicians while never missing a beat of the deadpan humor that serves as the icing on this delectable performance. A brilliant pairing of narrator and story makes NIGHT LIFE a superb audiobook.
Audiofile


My Grandmother Asked Me to Tell You She's Sorry by Fredrik Backman


Fredrik Backman's stunning tribute to life, death and fairy tales chronicles the story of Elsa, a seven-year-old tasked with delivering apology letters for her grandmother after her death. Joan Walker reads this delightful novel with a perfect balance of reverence and playfulness, bringing out Backman's wonderfully authentic child's-eye perspective as well as his heart-warming humor. My Grandmother Asked Me to Tell You She's Sorry is populated with a rainbow of eccentric characters, and Walker provides each a distinct persona. Elsa's dialogue is, unfortunately, the most disappointing. Often Walker sounds as though she is over-reaching for a childish high-pitch instead of expressing Elsa's character. This small glitch aside, the audiobook is utterly enchanting and a must for anyone who appreciates story.
Audiofile


The Dog Master by W. Bruce Cameron


David Colacci reveres the wolf in his narration of W. Bruce Cameron's The Dog Master. Guiding listeners through three time periods, multiple early tribes of humans and the wolf packs, he keeps the momentum of the plot swift, the characters distinct and the atmosphere rich. The tensions, anxieties and frustrations of both these early people and their canine counterparts are palpable in Colacci's boundless reading of a tale about the first dog. Without resorting to exaggerated dramatic effects, he builds an authentic tone of constant danger in an uncertain world of hunter and prey while also establishing passionate relationships--human to human and human to wolf. Exciting, engaging and enjoyable, The Dog Master should have a wide appeal for many audiobook listeners.
Audiofile



These have all been audios--and books--I thoroughly enjoyed. Here's a list of a few that I probably wouldn't recommend to anyone, but if you want to check out my reviews, click on the links to the Audiofile site:

The Empire of Night (Robert Olen Butler)
The Swimminer (Peter Ganim)
Ruins of War (John A. Connell)
Second Life (S.J. Watson)
Eeny Meeny (M.J. Arlidge)
After the Storm (Linda Castillo)
City on Fire (Garth Risk Hallberg)

If you haven't checked out the AudioFile site, I encourage you to do so. Sign up for their newsletters and subscribe to the magazine if you're an audiobook lover like I am. I've discovered great audiobooks through them and I hope these that I've shared here have been of interest to you. Thanks and happy reading/listening!

Tuesday, December 30, 2014

2014 Favorite Audiobooks and Favorite Debuts

2014 brought about my entry into reviewing audiobooks for Audiofile Magazine. My organization--or rather lack thereof--for this year has been the main obstacle for me getting those reviews here on the blog. The reviews for Audiofile focus on the production and not the story, so I have wanted to add additional information into the reviews to cover my reactions to the stories as well. I am hoping to do better in 2015 in this area so I can include those reviews here as well. In the meantime, those audios listed below that I haven't reviewed here, but have appeared at Audiofile will be linked to their pages on the Audiofile site. I hope you'll visit the site if you don't already.

My choices for favorite audiobooks--from the 35 I listened to this year--are based solely on the audio production, so some of the books listed below may not be (in my opinion) the greatest stories but they were stellar performances. They were enjoyable to listen to. So if the story wasn't that great then the narrator was extra wonderful in order to overcome that disadvantage and keep me engaged for the entire book.

FAVORITE AUDIOBOOKS OF 2014 ARE:
 
5. Midwinterblood (written by Marcus Sedgwick; narrated by Julian Rhind-Tutt): this is a YA book, but can certainly be enjoyed by any listener. A strong atmosphere and Rhind-Tutt does a magical job with the irregular structure of this book. It's a collection of interconnected stories and he keeps the reader firmly entwined in that connecting thread. (Listening Library)

4. The Intern's Handbook (written by Shane Kuhn; narrated by Pete Simonelli): this particular book is showing up all over my lists this year. It's a wonderful, complete package. Simonelli didn't try to force drama into this book, he kept his reading dry to match the concept of the handbook--who's ever read a dramatic handbook?  This may at first seem like the audiobook would be a boring listen, but quite the contrary. His approach enhanced the sarcastic humor and the suspense of the genius plot. (Simon & Schuster Audio)

3. Wait for Signs (written by Craig Johnson; narrated by George
Guidall): I'm utterly convinced that there is nothing Guidall can't do when it comes to narration, but he still continues to amaze me in his depiction of Craig Johnson's world of Absaroka County. Johnson's short stories are especially powerful with huge helpings of passion and meaning in small packages. Guidall made the opening of these packages a joyous occasion. He juggles the spiritual, the humorous, the respectful and the heartfelt without dropping a single ball. Sometimes he has to perform a magic trick and juggle them so they merge and then reappear as separate entities. He does it all without breaking a sweat--or at least without letting us hear he's breaking a sweat. He also shows up the individual who reads the introduction to this collection...the person who couldn't be bothered to find out how to pronounce Absaroka even though it appears half a dozen times in the text. How lame!  (Recorded Books)

2. The Midnight Plan of the Repo Man (written by W. Bruce Cameron; narrated by George K. Wilson): This is a book I may very well have turned away from had I been reading it in print.  It deals with a ghost trapped in the main character's head. Not my normal fare, but the presentation was simply so engaging and fun I was disappointed when the book ended.  (Macmillan Audio)

1. The Morgue Drawer series (written by Jutta Profijt; translated by Erik J. Macki; narrated by Macleod Andrews): This is the only series this year that I started and HAD to continue to listen to--one right after the other. Unfortunately I wasn't able to get my  hands on the second book, so I'll still be anticipating that one. I listened to the first book, Morgue Drawer Four, then the fourth, Morgue Drawer: Do Not Enter!, then the third, Morgue Drawer for Rent. They were absolutely wonderful even out of order. I'll have a full review for you soon, but suffice it to say these blew me away. The story concept is fabulous; the translation is brilliant--there's tons of slang and made-up words and Macki did an incredible job taking them from the original German to English; finally at the delivery Macleod Andrews was astounding. His timing, his attitude, his energy and intensity, they were all award-worthy. I love this series and the audiobooks are pure gold. (Brilliance Audio)



Debuts. I only read 11 debuts this year. I read books by 70 authors who were new to me, but only 11 of those were people writing their first books. So I'm leaving this list at only 3, which is still a large percentage of the total debuts, but I think these three deserve the kudos...and one you will see again tomorrow.

FAVORITE DEBUTS:

  

3. The Secret Wisdom of the Earth by Christopher Scotton. A stunning portrayal of the Appalachian region, beautiful writing and a wonderful coming of age story. I look forward to more from Scotton in the coming years.

2. The Intern's Handbook by Shane Kuhn. Geez, this book is like a bad penny, right? It keeps showing up everywhere. It's getting harder and harder to wow me with creative approaches to crime stories so when someone does, I celebrate it. Loved this book!

1. A Man Called Ove by Fredrik Backman. It continues to astound me that this book is a debut. I have recommended it to more people than any other this year and have had more people contact me about it than any other this year. It is beautifully written, funny, smart, heart-felt and it transcends time and place. It's set in Sweden but is relevant to anyone, anywhere, anytime. A Man Called Ove embodies why I love reading and love books.

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