Showing posts with label Shane Kuhn. Show all posts
Showing posts with label Shane Kuhn. Show all posts

Tuesday, December 30, 2014

2014 Favorite Audiobooks and Favorite Debuts

2014 brought about my entry into reviewing audiobooks for Audiofile Magazine. My organization--or rather lack thereof--for this year has been the main obstacle for me getting those reviews here on the blog. The reviews for Audiofile focus on the production and not the story, so I have wanted to add additional information into the reviews to cover my reactions to the stories as well. I am hoping to do better in 2015 in this area so I can include those reviews here as well. In the meantime, those audios listed below that I haven't reviewed here, but have appeared at Audiofile will be linked to their pages on the Audiofile site. I hope you'll visit the site if you don't already.

My choices for favorite audiobooks--from the 35 I listened to this year--are based solely on the audio production, so some of the books listed below may not be (in my opinion) the greatest stories but they were stellar performances. They were enjoyable to listen to. So if the story wasn't that great then the narrator was extra wonderful in order to overcome that disadvantage and keep me engaged for the entire book.

FAVORITE AUDIOBOOKS OF 2014 ARE:
 
5. Midwinterblood (written by Marcus Sedgwick; narrated by Julian Rhind-Tutt): this is a YA book, but can certainly be enjoyed by any listener. A strong atmosphere and Rhind-Tutt does a magical job with the irregular structure of this book. It's a collection of interconnected stories and he keeps the reader firmly entwined in that connecting thread. (Listening Library)

4. The Intern's Handbook (written by Shane Kuhn; narrated by Pete Simonelli): this particular book is showing up all over my lists this year. It's a wonderful, complete package. Simonelli didn't try to force drama into this book, he kept his reading dry to match the concept of the handbook--who's ever read a dramatic handbook?  This may at first seem like the audiobook would be a boring listen, but quite the contrary. His approach enhanced the sarcastic humor and the suspense of the genius plot. (Simon & Schuster Audio)

3. Wait for Signs (written by Craig Johnson; narrated by George
Guidall): I'm utterly convinced that there is nothing Guidall can't do when it comes to narration, but he still continues to amaze me in his depiction of Craig Johnson's world of Absaroka County. Johnson's short stories are especially powerful with huge helpings of passion and meaning in small packages. Guidall made the opening of these packages a joyous occasion. He juggles the spiritual, the humorous, the respectful and the heartfelt without dropping a single ball. Sometimes he has to perform a magic trick and juggle them so they merge and then reappear as separate entities. He does it all without breaking a sweat--or at least without letting us hear he's breaking a sweat. He also shows up the individual who reads the introduction to this collection...the person who couldn't be bothered to find out how to pronounce Absaroka even though it appears half a dozen times in the text. How lame!  (Recorded Books)

2. The Midnight Plan of the Repo Man (written by W. Bruce Cameron; narrated by George K. Wilson): This is a book I may very well have turned away from had I been reading it in print.  It deals with a ghost trapped in the main character's head. Not my normal fare, but the presentation was simply so engaging and fun I was disappointed when the book ended.  (Macmillan Audio)

1. The Morgue Drawer series (written by Jutta Profijt; translated by Erik J. Macki; narrated by Macleod Andrews): This is the only series this year that I started and HAD to continue to listen to--one right after the other. Unfortunately I wasn't able to get my  hands on the second book, so I'll still be anticipating that one. I listened to the first book, Morgue Drawer Four, then the fourth, Morgue Drawer: Do Not Enter!, then the third, Morgue Drawer for Rent. They were absolutely wonderful even out of order. I'll have a full review for you soon, but suffice it to say these blew me away. The story concept is fabulous; the translation is brilliant--there's tons of slang and made-up words and Macki did an incredible job taking them from the original German to English; finally at the delivery Macleod Andrews was astounding. His timing, his attitude, his energy and intensity, they were all award-worthy. I love this series and the audiobooks are pure gold. (Brilliance Audio)



Debuts. I only read 11 debuts this year. I read books by 70 authors who were new to me, but only 11 of those were people writing their first books. So I'm leaving this list at only 3, which is still a large percentage of the total debuts, but I think these three deserve the kudos...and one you will see again tomorrow.

FAVORITE DEBUTS:

  

3. The Secret Wisdom of the Earth by Christopher Scotton. A stunning portrayal of the Appalachian region, beautiful writing and a wonderful coming of age story. I look forward to more from Scotton in the coming years.

2. The Intern's Handbook by Shane Kuhn. Geez, this book is like a bad penny, right? It keeps showing up everywhere. It's getting harder and harder to wow me with creative approaches to crime stories so when someone does, I celebrate it. Loved this book!

1. A Man Called Ove by Fredrik Backman. It continues to astound me that this book is a debut. I have recommended it to more people than any other this year and have had more people contact me about it than any other this year. It is beautifully written, funny, smart, heart-felt and it transcends time and place. It's set in Sweden but is relevant to anyone, anywhere, anytime. A Man Called Ove embodies why I love reading and love books.

Monday, December 29, 2014

2014 Favorite Covers & First Lines

Well, it's hard to believe it, but it's that time of year again. Time to sum up the year in reading with my favorites lists. For those who may be new to the blog this year end, I have foregone the use of the term "best" because the connotation indicates there is a standard or rubric that makes the selection objective, when in reality all of these lists--no matter who they are compiled by--are completely subjective and dependent on the choosers' tastes and interests. So my lists are "favorite lists."

I had hoped to integrate some stats from what blog readers also liked this year, but the responses were too few to offer anything up in that realm. Maybe next year?

As for my favorites in the categories of covers and first lines, here are those that rocked my reading world for 2014:

FAVORITE COVERS

5.  A Better World (Marcus Sakey): I think you'll notice a running theme of simplicity in my favorite covers. In addition to A Better World's cover having a connection with the first in the trilogy, it screams a big meaning in a subtle use of art. The only thing that would have improved this cover is a more subtle use of the blurb--preferably moving it to the back cover.



4. Roosevelt's Beast (Louis Bayard): The rich layered approach of Bayard's writing is epitomized in the dimension of this cover. His atmosphere and setting are nailed.  The minimalistic use of color gives each hue strength in the overall arrangement. The font choice for the title builds the suspense before readers even crack the cover. And the wording is limited to the title and author--how wonderfully refreshing.



3. Conquest (John Connolly & Jennie Redyard): I absolutely love the use of shape and light in this cover. It exudes so many elements of the novel: the blending of cultures, the sci-fi genre, they mysterious and unknown, as well as the strong connection to basics of the planet. Again, I think the simplistic color scheme adds strength to each shade and highlight.



2. The Global War on Morris (Steve Israel): This is a very late entry for 2014. The book comes out tomorrow and you'll hear more about it after my review runs in Shelf Awareness, but this cover has a less subtle use of color which is perfect for this political satire. The stark contrast between the elements in this composition are bold and loud and funny, just like the points Israel makes inside the book.



1. The Intern's Handbook (Shane Kuhn): I listened to this audiobook for Audiofile Magazine and much like The Global War on Morris, the colors of this cover are minimal but they are bold and jump out at the viewer. The composition of the cover is brilliant and intricately tied to the plot. I can't help but love a cover that makes a concerted effort to accurately tie into the novel it's representing.  Kudos to Simon and Schuster on this beauty!


FAVORITE FIRST LINES:

5.  Talk by Michael Smerconish: "Fire, tits and sharks are TV gold."

4. Horrorstör by Grady Hendrix: "It was dawn, and the zombies were stumbling through the parking lot, streaming toward the massive beige box at the far end."

3. Don't Look Back by Gregg Hurwitz: "Terror came as a vibration, a plucked-wire note more felt than heard, primary to the deadening heat, to the flick of unseen insects against her face, to the oppressive night humidity that pressed into her pores."

2. Those Who Wish Me Dead by Michael Koryta: "On the last day of Jace Wilson's life, the thirteen-year-old stood on a quarry ledge staring at cool, still water and finally understood something his mother had told him years before: Trouble might come for you when you showed fear, but trouble doubled-down when you lied about it."

1. The Happiest People in the World by Brock Clarke: "The moose head was fixed to the wall, the microphone in its mouth was broken, but the camera in its left eye was working just fine, and as far as the moose head could see, this was just another Friday night in the Lumber Lodge!"

What covers and first lines tickled your fancy this year? Share with us in the comments, we'd love to know. Tomorrow I'll have my favorite debuts and favorite audiobooks for 2014. See you then!

Monday, June 30, 2014

The 2014 Mid-point Post

I'm still trying to wrap my head around the fact that tomorrow is the first day of July! Where has this year gone? I guess I've been so busy reading that the days have gotten away from me. ;-)

So, I thought I'd do a mid-point rundown of my reading so far and then you all can share with me some of your favorite reads and numbers of books etc.

To date I've read 51 books by 51 different authors.
19 of those were written by women, 1 was written by a male/female writing team and the remaining 30 by men.
14 are unabridged audiobooks.
8 are debut novels.
31 are books written by authors I've never read before this year.
And 5 are non-fiction.

That's the lowdown on stats. Now, the fun part. The books at this point in the year that will be considered for my favorites list in December (in the order in which I read them):

The Stolen Ones by Richard Montanari
Roosevelt's Beast by Louis Bayard
The Deepest Secret by Carla Buckley
Talk by Michael Smerconish
The Intern's Handbook by Shane Kuhn
Any Other Name by Craig Johnson
Those Who Wish Me Dead by Michael Koryta
A Man Called Ove by Fredrik Backman
A Brand New World by Marcus Sakey
All Day and a Night by Alafair Burke

There are ten titles here, so obviously they won't all be on the final list--unless the second half of the year is really bad, but don't count on it--just consider this my mid-year favorites list. The titles linked above will go to my reviews. The remainder of the reviews are forthcoming.

So, your turn. What's knocked your socks off so far this year?

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